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카지미르 말레비치 절대주의 회화를 응용한 니트디자인

Knitwear Design through Application of Kazimir Malevich's Suprematism Painting

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Abstract

The purpose of this study was to examine the Russian abstract artist Kazimir Malevich's works during the period of absolutism and thereupon, suggest some knitwear designs practical, decorative and creative. For this purpose, the researcher reviewed domestic and foreign literature, dissertations and academic journals to determine the Russian abstract fine art and the significance of Kazimir Malevich's works in the history of arts and thereupon, examined Malevich's works or the champions of absolutism in terms of their geometric formative elements or forms and colors. The results of this study can be summarized as follows; First, paintings may be important motives for the contemporary costume designs, while being a major driving power for development of some original designs depending on artists' personal thoughts and expression techniques. Second, this study is deemed to suggest creative and original techniques and motive applications for fashion designs by introducing the elements of Kazimir Malevich's paintings into costume designs, and provide for an opportunity to suggest new values by combining arts and fashion. Third, the knit jacquard technique, one of the major techniques for the knit design works using Kazimir Malevich's absolutism works, is considered a tubular jacquard featuring the deepest sense of thickness. The intarsia technique is preferred in the recent trend for light fabric because it features clear background patterns and allows for thinner fabric. Lastly, it is hoped that this study will serve to expand the domain of expression by means of an art marketing or meeting between arts and fashion in our contemporary industries.

참고문헌 (17)

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  8. Charlottle Douglas, "“Birth of Royal Infant ”" (1974)
  9. Larissa. A. Zhadora, "Malevich: Suprematism and Revolution in Russian Art 1910-1930", pp.46~ (1982), London: Thames&Hudson
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  12. Jean-Louis Ferrier, "20세기 미술의 모험" (1990), 안양 에이피 인터내셔널
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  14. 보리스 그로이스, "아방가르드와 현대성-러시아의 분열된 문화", pp.41~ (1995), 서울: 문예마당
  15. Guggenheim MUSEUM, "Kazimir Malevich" (2004)
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