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활옷의 상징성을 반영한 현대혼례복 디자인

Study on Wedding Dress Designs that Reflect the Symbolism of Hwalot

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People have used the manner of expression “clothing” to find out and to symbolize the styles that suits one's roles, behaviors or attitudes. Moreover, the symbolic meaning of clothing is important as it reflects the culture of a time period as well as the life style of each classes of society. In the aspect in which clothing is critical data to re-examine a time period as to trace history, clothing is significant for understanding the characteristics of each time periods, and by focusing on women's wedding dress, a costume worn for one of the most essential ceremonies in one's life, this article studies how trends of each period have been symbolized through clothing. Thus, this study aims to set a foundation to understand the cultural features of a time period through the wedding ceremony. The article inquires about the hwalot to also understand its meaning during the period of its existence, and develops designs for modern wedding dresses for women. Ⅰ. The wedding dress of women expressed the following meanings by using shapes, colors and patterns of the hwalot. 1) The formative art of hwalot is the ultimate beauty. 2) The wedding dress of women emphasized aesthetics. 3) The symbols praying for harmony between red and indigo, or the union of yin and yang indicates that marriage had been considered as a precious ceremony - an important matter of life. 4) The meaning of good auspice such as health, longevity, immortality, good luck and stability had been frequently used since people sought for new and eternal life. 5) The symbols of wealth and fame have been frequently used by those pursuing a wealthy life. 6) Marriage was considered as a union of families, and not a union of two individuals. Ⅱ. This article presents two types of modern wedding dresses.

Abstract

People have used the manner of expression “clothing” to find out and to symbolize the styles that suits one's roles, behaviors or attitudes. Moreover, the symbolic meaning of clothing is important as it reflects the culture of a time period as well as the life style of each classes of society. In the aspect in which clothing is critical data to re-examine a time period as to trace history, clothing is significant for understanding the characteristics of each time periods, and by focusing on women's wedding dress, a costume worn for one of the most essential ceremonies in one's life, this article studies how trends of each period have been symbolized through clothing. Thus, this study aims to set a foundation to understand the cultural features of a time period through the wedding ceremony. The article inquires about the hwalot to also understand its meaning during the period of its existence, and develops designs for modern wedding dresses for women. Ⅰ. The wedding dress of women expressed the following meanings by using shapes, colors and patterns of the hwalot. 1) The formative art of hwalot is the ultimate beauty. 2) The wedding dress of women emphasized aesthetics. 3) The symbols praying for harmony between red and indigo, or the union of yin and yang indicates that marriage had been considered as a precious ceremony - an important matter of life. 4) The meaning of good auspice such as health, longevity, immortality, good luck and stability had been frequently used since people sought for new and eternal life. 5) The symbols of wealth and fame have been frequently used by those pursuing a wealthy life. 6) Marriage was considered as a union of families, and not a union of two individuals. Ⅱ. This article presents two types of modern wedding dresses.

참고문헌 (22)

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  11. 조효순, , Op. cit, pp.296~292 (1989)
  12. 전혜숙, "朝鮮後期 女子 婚禮服에 관한 硏究", 복식문화연구, 10(2), pp.160~177 (2002), 복식문화학회
  13. 김영자, "한국의 복식미", pp.131~ (1992), 민음사
  14. 임현정, "활옷에 나타난 색상과 문양의 상징성에 관한 고찰", 창원대학교 생활과학연구지, 7(1), pp.151~163 (2003)
  15. 손경자, , Op. cit, pp.51~ (1979)
  16. 국사편찬위원회, , Op. cit., pp.198~ (2006)
  17. 전혜숙, , Op. cit, pp.168~ (2002)
  18. 국사편찬위원회, , Op. cit., pp.198~ (2006)
  19. 이필연, "전통혼례 폐백시의 복식에 대한 교육적 연구", 석사, pp.2001
  20. 김영숙, "한국복식문화사전", pp.407~ (1998), 미술문화
  21. Ibid, "Ibid", 269~
  22. 이상은, "조선왕조 복식사론", pp.161~163 (1992), 일지사

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