큐브 형태의 공간 변화를 표현한 스카프 디자인
The scarf design expressing the cube form space change
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper focuses on the spatial changes that create a three-dimensional or deep feeling on the surface of a scarf centering on the cube shape. Through this, consumers with various tastes were able to satisfy their image presentation. The cube form has simplicity and order and is likely to be used as a formative object. The cube shapes can be expressed in various forms through visual and perceptual spatial changes by presenting various shape changes based on the viewpoint of the two-dimensional silk surface, that is, by changing the eyes' position and orientation. Various visual theorists' discussions about cube-shaped visual changes were discussed. In addition, the three-dimensional spatial illusion caused by the shape and color of Victor Bazaarelli's cube was examined. The cube shape was printed silk surfaces to give a three-dimensional sense of space on a two-dimensional scarf design using the size change, the difference in the length of the line, and the color change. As such, the cube shape has infinite possibilities as a method that can express three-dimensional depth and space on the flat surface of a scarf. Therefore, it is hoped that this study will be applied to various aspects as the basic data for the scarf design that expresses the spatial changes in the form of cubes.
Abstract
This paper focuses on the spatial changes that create a three-dimensional or deep feeling on the surface of a scarf centering on the cube shape. Through this, consumers with various tastes were able to satisfy their image presentation. The cube form has simplicity and order and is likely to be used as a formative object. The cube shapes can be expressed in various forms through visual and perceptual spatial changes by presenting various shape changes based on the viewpoint of the two-dimensional silk surface, that is, by changing the eyes' position and orientation. Various visual theorists' discussions about cube-shaped visual changes were discussed. In addition, the three-dimensional spatial illusion caused by the shape and color of Victor Bazaarelli's cube was examined. The cube shape was printed silk surfaces to give a three-dimensional sense of space on a two-dimensional scarf design using the size change, the difference in the length of the line, and the color change. As such, the cube shape has infinite possibilities as a method that can express three-dimensional depth and space on the flat surface of a scarf. Therefore, it is hoped that this study will be applied to various aspects as the basic data for the scarf design that expresses the spatial changes in the form of cubes.
참고문헌 (36)
- 김용인, "Object a", 석사, pp.2003
- 김현화, "20세기 미술사" (1999), 한길아트
- 민경우, "디자인의 이해" (1996), 미진사
- 손은혜, "르네상스 원근법과 광학 : 알베르티와 레오나르도를 중심으로", 석사, 과학기술학협동과정, pp.2013
- 어현아, "호텔 로비공간에 있어서 텍스타일디자인의 감성평가를 통한 상호관계성 연구", 한국공간디자인학회 논문집, 6(4), pp.77~89 (2011), 한국공간디자인학회[DOI]
- 오희선, "텍스타일 디자인론" (1996), 교학연구사
- 이효선, "명품 선호경향을 반영한 한국 문화상품으로서의 스카프디자인 개발", 박사, 조형미술학과, pp.2012
- 유관호, "The spirit of color" (2007), 태학원
- 조배문, "텍스타일 디자인의 도식과 의미해석을 위한 분석체계 구축", 박사, pp.2019
- 주은우, "시각과 현대성" (2003), 한나래
- 최영훈, "색채학 개론" (1999), 미진사
- 한국실내디자인학회, "감성공간디자인" (2009), 기문당
- 한석우, "입체조형 : 이론과 실제" (1991), 미진사
- Anna, M., "20세기 추상미술의 역사" (1998), 시공사
- Cyril, B., "옵아트" (1987), 미진사
- David, A. L., "조형의 원리" (2002), 예경
- Erbin, Panowsky, "상징형식으로서의 원근법" (2014), 도서출판
- Ernst, G., "예술과 환영" (2003), 열화당
- Giedion, S., "Space, time and architecture" (1982), Harvard University Press
- Leon, B. A., "알베르티의 회화론" (1998), 사계절
- Leon, B. A., "회화론" (2011), 기파랑
- Jean, B., "사물의 체계" (1999), 백의
- Naomi, A., "평면구성" (1999), 조형사
- Rudolph, A., "미술과 시지각" (1995), 미진사
- Rudolph, A., "시각적 사고" (2004), 이화여자대학교 출판부
- Rudolph, A., "중심의 힘" (1995), 눈빛
- Richard, D. J., "시지각과 이미지(" (2007), 안그라픽스
- Stephane, V., "철학자의 디자인 공" (2012), 홍시
- Shiraishi, K., "착시조형" (1989), 디자인하우스
- "자료출처 개인소장 자료(직접촬영) Hommage a la Hexagone Ⅵ. (1969)" (2006)[URL]
- "Perspective" (2008)[URL]
- "Un Jardin dur le Toit scarf" (2019)[URL]
- "Untitled"[URL]
- "Untitled #6" (1970)[URL]
- "002 Tridim" (1968)[URL]