패스티쉬 기법의 작품 적용 연구 - 본인 작품을 중심으로 -

Abstract

In the current society, the aspects of deconstruction-progress are difficult to define clearly and have difficult integrative characteristics. Today, social structures are constantly re-organized and established with the development of various media and technology. Thereupon, pastiche technique, which has the characteristics of convergence and integration, takes important position in the present age when multi-dimensional evolution is highly regarded. Pastiche is one of the creating ways used after the modernism period and it refers to using and blending undamaged things of other fields like image, motif, episode, etc. In this process, the meaning of the original text is lost and the new meaning is re-organized with the subjective dramatization of the author. It is changing the parody to a new entity as removing the original text or removing the mockery and criticism on a society that the parody has. Hereby, in this study the researcher studies the complex system revealed on the pastiche technique and at the same time compares and analyzes the works of the authors who use mixed imitations as a creating technique in a modern arts to the works of the researcher of this study. As a result, first, we could analyze the periodical and social background until the point of emergence of pastiche. Second, the researcher could find out two attitudes of authors who use pastiche techniques, which are using the procedure of borrowing target works and absorbing the superficial image as it is. Based on this, the researcher tries to study with what target his work relates in the scope of the modern art, and in what coordinate it is located. Therefore, this research of pastiche analysis is relevant to the various aspects that occur in the modern society as well as the scope of visual arts, presents the views of the researcher as a member of a contemporary society, and, at the same time, helps to understand a direction of modern arts.