일상적 오브제를 활용한 아상블라주에 관한 연구

Abstract

This study starts with a review of the usability, expression form and content of assemblage material in contemporary art. It is study on how assemblage can be applied and expressed in contemporary art by exploring new interpretation and possibility of objectivity diversity and materiality that occupies a small part of contemporary art. First,I inverstigated the influence of objects on he assemblage-forming background through analysis of works and trends of works by the leading artists Armand, Cesar, and Nikide Sanint-Phalle. I looked at directions. In addition, through the assemblage production process of researcher who made using the ordinary object to be abandoned as the scrapped product, the actual value of the original work and the assemblage production The meaning of formation can be sought. The researcher's production is carried out by combining materials collected from natural products or waste products used in daily life with other industrial products, which is similar to the way of expression of existing leading artists. Another feature is that the researcher's aesthetic production has expand the value of the artwork and the existing materiality that was useful for our everyday life to the assemblage with the addition of the clock and lighting functions, it can be said that the abandoned goods can be reinterpreted as artworks through the artist's aesthetics. In the future, we will be able to look forward to various forms and contents of a esthetics. In addition , we will pursue the possibilities of creating a wide range of work through the creation of infinite expression form of contemporary art, Theoreatically