한⋅중 전통 목가구의 비례 연구 - 조선시대와 (중국) 명⋅청시기 장(欌)가구를 중심으로 -

Abstract

Beauty and scale are old issues. Most of them sought to express beauty as the number of all, and most of them analyzed the principle of beauty as the concept of number. The purpose of this study is to analyze the proportions and proportions of the joseon Dynasty and the Chinese joseon Dynasty Period furniture, and to examine and analyze the beauty of the proportional proportions of traditional furniture. First, the background and purpose of the research, the research method, and the scope of the research were described. The research methods were various methods such as literature collection, thesis search, internet search, museum visit, antique auction site visit. Second, general review on the chapter of joseon and joseon dynasty, the background of production, and the types of chest furniture were analyzed. Third, we analyzed the design of furniture by using mathematical methods. In order to provide the aesthetic value of furniture ratio and modern furniture redesign, The proportions of the outline of the furniture are analyzed. Fourth, beauty was analyzed through proportions of joseon and Korean traditional furniture. We analyzed mathematical analysis of the artistic aspects and designs of the wooden furniture, examined the aesthetics and emotions from the rational aspect, and tried to find the aesthetic value and cultural meaning behind the ratio of traditional to traditional furniture. As a result of the study, 'beauty' of Korean and Chinese traditional furniture had a proportional meaning with duality of universality and ideality. The aspect of universality is that the scale and ratio are in conformity with scientific geometrical standards, Confucian thought. In the future, I hope to explore the aesthetic characteristics and realization methods of traditional Korean and Chinese traditional furniture and to be a reference and guide for modern furniture design of both countries.