영화 <아가씨>의 내러티브에 영향을 미치는 미술적 요소 분석

Abstract

The purpose of this study is to investigate the influence of art elements appearing in the scenes of the film on the narrative of the film. The subject of the study was <The Handmaiden>(Director Park Chan-wook, released on June 1, 2016) which was recognized for its beauty in film and won the Vulcan Award for the first time as a Korean film at the Cannes Film Festival. The research scope was limited to artistic elements such as eastern and western art works, art styles, and formative elements that directly or indirectly affect the 'character' and 'space' of the film 'narrative' . Before analyzing <The Handmaiden>, I examined the relationship between film narrative and artistic elements. Film is a comprehensive art and one of the most influential fields in the current mass media. The narrative is a flower of a movie, and the artistic factor has the greatest influence on giving a plausibility to 'character' and 'space' for composing a narrative. The movie <The Handmaiden> has metaphorically expressed the situation of our country which is free from Japan during the Japanese colonial period, along with the liberation of the main character through Japanese artistic elements such as Japanese style library, Ukiyoe, and Kare Sansui. It also expresses freedom in contrast to reality under the control of power through color and background reminiscent of Impressionism. Hideko represented her inner changes through various changes in her costume and hairstyle, including a sumptuous kimono reminiscent of kimono in the works of Western artists and a dress reference to a character in Klimt 's work. The interior wallpapers expressed Hideko 's depressed inner face by using Maurice' s Art Nouveau style pattern and also expressed the true love of Hideko and Sukhee through a decalcomania symmetrical composition.