2010년 이후 현대 패션에 표현된 트롱프뢰유의 유형과 미적 특성에 관한 연구
A Study on the Types and Aesthetic Characteristics of Trompe Lœil Expressed in Modern Fashion Since 2010
1
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The purpose of this study is to make a contribution to the development of creative fashion culture through the expansion of creative fields in the fashion design area and also the combination of fashion and art techniques, by classifying the cases of Trompe Lœil expressed in modern fashion, and also analyzing its aesthetic characteristics. Conducting the qualitative research through the literature study and the analysis of design cases, it targeted the women's wear collections of Paris, Milan, London, and New York, limiting its range from S/S 2010 to F/W 2015. The results are as follows: First, based on the preceding research, the types of Trompe Lœil expressed in modern fashion were shown as realistic expression of clothing, movement of daily objects, double images, and application of human body. Second, the aesthetic characteristics of Trompe Lœil based on its expression types were deconstruction, avant-garde, and amusements. The deconstruction was expressed in the expression type of Trompe Lœil such as freedom of materials using digital printing technique, change in the position of clothes, and movement of daily items using collage technique by collecting objets like daily items or waste. The avant-garde was expressed by switching/overlapping in and out of clothes, intentionally exposing some body parts like breast or torso, displacing body parts, and moving daily items. The amusements was shown by realistically expressing accessories or details of clothes using digital printing technique, or moving daily items such as book and fork.
Abstract
The purpose of this study is to make a contribution to the development of creative fashion culture through the expansion of creative fields in the fashion design area and also the combination of fashion and art techniques, by classifying the cases of Trompe Lœil expressed in modern fashion, and also analyzing its aesthetic characteristics. Conducting the qualitative research through the literature study and the analysis of design cases, it targeted the women's wear collections of Paris, Milan, London, and New York, limiting its range from S/S 2010 to F/W 2015. The results are as follows: First, based on the preceding research, the types of Trompe Lœil expressed in modern fashion were shown as realistic expression of clothing, movement of daily objects, double images, and application of human body. Second, the aesthetic characteristics of Trompe Lœil based on its expression types were deconstruction, avant-garde, and amusements. The deconstruction was expressed in the expression type of Trompe Lœil such as freedom of materials using digital printing technique, change in the position of clothes, and movement of daily items using collage technique by collecting objets like daily items or waste. The avant-garde was expressed by switching/overlapping in and out of clothes, intentionally exposing some body parts like breast or torso, displacing body parts, and moving daily items. The amusements was shown by realistically expressing accessories or details of clothes using digital printing technique, or moving daily items such as book and fork.
참고문헌 (36)
- 강옥민, "르네 마그리트(René Magritte)회화의 데페이즈망(Depaysment) 기법 연구", 석사, 미술교육, pp.2007
- 具仁淑, "1995年 以後 아방가르드 패션의 디자인 分析+", 패션 비즈니스, 6(4), pp.62~82 (2002), 한국패션비즈니스학회
- 郭美瑛, "20세기 패션에 나타난 초현실주의 복식양식에 관한 연구", 박사, 의류과학, pp.1995
- 권연옥, "초현실주의 데페이즈망 기법을 응용한 패션 스타일링 연구", 석사, Fashion Design, pp.2009
- 김명주, "현대복식과 에로티시즘(Eroticism)적 표현에 관한 연구 : 초현실주의, 팝아트, 포스트 모더니즘", 석사, 가정학, pp.1994
- 김선영, "현대패션에 나타난 Trompe l'oeil 표현에 관한 연구-2000년 이후를 중심으로-", 한국의류학회지, 34(4), pp.597~605 (2010), 한국의류학회
- 김승아, "21세기 패션 스타일링에 나타난 초현실주의 표현기법", 석사, 의류학, pp.2010
- 다께우찌 도우지, "미학 예술학 사전" (1990), 홍문당
- 박은경, "2000년대 패션에 표현된 페이크 디자인 연구", 복식, 60(3), pp.110~122 (2010), 한국복식학회
- 방성련, "1980년대 이후 패션에 나타난 초현실주의 표현에 관한 연구", 석사, pp.2007
- 손영미, "현대패션에 나타난 Trompe-l'oe(트롱쁘-뢰이유, 눈속임)에 관한 연구", 복식, 52(5), pp.155~171 (2002), 한국복식학회
- 송영경, "키덜트 패션의 미적특성에 관한 연구", 박사, 패션디자인학, pp.2008
- 신주영, "패션과 예술의 관계에 대한 이론적 고찰 -화가와 패션, 패션디자이너와 예술의 관계를 중심으로-", 복식, 58(8), pp.1~12 (2008), 한국복식학회
- 신혜정, "레이어링에 의한 Trompe I'oeil 기법을 응용한 패션 디자인 - 여성복 신규브랜드 상품개발을 중심으로 -", 디자인학연구, 23(6), pp.81~86 (2010), 한국디자인학회
- 안성준, "광고에 나타난 트롱프뢰유(trompe-l'oeil)기법을 활용한 바디페인팅 연구", 기초조형학연구, 12(3), pp.283~296 (2011), 한국기초조형학회
- 열화당 편집부, "현대 미술용어사전" (1978), 열화당
- "전시장서 사진도 찍고, 작품에 손대시오?" (2011)[URL]
- 유한태, "착시의 조형심리" (1987), 월간시각디자인
- 이경은, "Visual illusion을 응용한 현대 복식 디자인 연구 : Trompe L'oeil기법을 중심으로", 석사, 장식미술학, pp.1996
- 이봉덕, "21세기 전환기 패션의 미학적 특성", 박사, 의류학, pp.2002
- 이신영, "트롱프뢰유 패션디자인의 형태 생성 다이어그램에 관한 연구", 복식, 63(3), pp.17~32 (2013), 한국복식학회[DOI]
- 이연식, "눈속임 그림 : 트롱프뢰유, 실재를 흉내내고 관객을 속이다" (2010), 아트북스
- 이윤진, "현대의상에 나타난 유머성 : 미술의 표현 방식을 중심으로", 석사, 어패럴디자인, pp.2001
- 이주헌, "지식의 미술관" (2009), 아트북스
- 조진숙, "현대 패션에 표현된 Trompe l'Oeil 기법 연구-1990년대를 중심으로-", 복식문화연구, 12(5), pp.196~206 (2004), 복식문화학회
- 진중권, "진중권의 서양미술사: 고전예술" (2011), 휴머니스트
- 채금석, "현대복식미학" (2002), 경춘사
- 한국불어불문학회, "불한사전" (1985), 삼화출판사
- Baily, A., "The Passion for Fashion" (1988), Dragon’s World Ltd
- Calinescu, Matei., "모더니티의 다섯 얼굴" (1993), 시각과 언어
- Hamilton, J. A., "Dress as a Cultural Subsystem : A unifying metatheory for clothing and textiles", Clothing and Textiles Research Journal, 6(1), pp.1~7 (1987)
- Hollmann, E., "A Trick of the Eye, Trompe l’oeil Masterpieces" (2004), Prestel
- Mcdowell, Colin., "Directory of Twentith Century Fashion" (1984), Frederick Muller
- Milman, Miriam., "Trompe l’oeil Painting" (1982), Rizzoli
- Russel, J., "The Meaning of Modern ART" (1989), Thames & Hudson
- White, Palmer., "Elsa Schiaparelli" (1986), Rizzoli International Publications Inc