본문 바로가기
KERD
논문KCI 등재

현대 여성복 컬렉션에 표현된 맥시멀리즘의 조형성에 관한 연구 - 2011년 ~ 2016년 여성복 컬렉션을 중심으로 -

The formativeness of Maximalism expressed in the modern women’s collection - Focusing on the women’s collection from 2011 to 2016 -

김경희
한국의상디자인학회 (Korea Fashion & Costume Design Association)|2018.06|한국의상디자인학회지 (Journal of the Korea Fashion & Costume Design Association)|제20권 제2호|pp. 101-114|DOI 10.30751/kfcda.2018.20.2.101

0

조회

0

다운로드

4

인용

0

참고문헌

키워드

fusion장식성decorationMaximalism맥시멀리즘퓨전성exaggeration확대과장성비구조성non-structurality
주제분류의상

초록

The purpose of this study is to contribute to the development of the women’s fashion field with the goal of creating creative and experimental fashion styles through the categorization of cases of women’s fashion design expressed with Maximalism, a type of expression used in modern fashion, as well as analyzing and examining the formativeness of this style. Qualitative research was conducted through a literature review and design case analysis. The scope of this research was from 2011 S/S to 2016 F/W, and the regional scope included the women’s collections from Paris, Milano, London and New York. The results acquired are as follows. Initially, exaggeration was expressed through excessively exaggerating the overall silhouette of clothing or exaggeratedly distorting certain parts of the overall silhouette. Secondly, decoration was expressed through the use of the same colors and materials and the addition of excessive details and trimmings to express an exaggerated style of clothing as well as to express a luxurious and handcrafted style of clothing. Thirdly, fusion was expressed through integrating multiple items from different cultures, deconstruction, which destroys the concept of gender and use of clothing, and fashion style that transcends time and space. Fourthly, non-structurality was expressed through differentiating multiple weight feelings applied to the left/right sides of clothing or expressing a structural designs that is asymmetrical to the upper/lower/left/right directions to create a silhouette that displays a creative avant-garde style. As examined above, it was found that the maximalism expressed in fashion after 2011 created new images and expressed maximized emotional orientations through the exaggerated use of multiple silhouettes and decorations or through the integration of colors, patterns, ages and images. Through this process, maximalism is expected to not only provide an infinite possibility to the modern fashion that pursues diversification and multiplication, but also serve as an example that represents diversified post-modernism fashion trends in the future.

Abstract

The purpose of this study is to contribute to the development of the women’s fashion field with the goal of creating creative and experimental fashion styles through the categorization of cases of women’s fashion design expressed with Maximalism, a type of expression used in modern fashion, as well as analyzing and examining the formativeness of this style. Qualitative research was conducted through a literature review and design case analysis. The scope of this research was from 2011 S/S to 2016 F/W, and the regional scope included the women’s collections from Paris, Milano, London and New York. The results acquired are as follows. Initially, exaggeration was expressed through excessively exaggerating the overall silhouette of clothing or exaggeratedly distorting certain parts of the overall silhouette. Secondly, decoration was expressed through the use of the same colors and materials and the addition of excessive details and trimmings to express an exaggerated style of clothing as well as to express a luxurious and handcrafted style of clothing. Thirdly, fusion was expressed through integrating multiple items from different cultures, deconstruction, which destroys the concept of gender and use of clothing, and fashion style that transcends time and space. Fourthly, non-structurality was expressed through differentiating multiple weight feelings applied to the left/right sides of clothing or expressing a structural designs that is asymmetrical to the upper/lower/left/right directions to create a silhouette that displays a creative avant-garde style. As examined above, it was found that the maximalism expressed in fashion after 2011 created new images and expressed maximized emotional orientations through the exaggerated use of multiple silhouettes and decorations or through the integration of colors, patterns, ages and images. Through this process, maximalism is expected to not only provide an infinite possibility to the modern fashion that pursues diversification and multiplication, but also serve as an example that represents diversified post-modernism fashion trends in the future.

참고문헌 (42)

  1. "더 과감하게 오버하라" (2016)[URL]
  2. 김욱동, "미니멀리즘과 맥시멀리즘", 문화예술, 150, pp.14~19 (1992)
  3. 김정연, "맥시멀리즘의 공간 표현 특성에 관한 연구", 석사, 공간디자인, pp.2007
  4. 김지혜, "남성복에 나타난 맥시멀리즘의 표현 특성 연구", 복식, 65(5), pp.1~13 (2015), 한국복식학회[DOI]
  5. 김현진, "맥시멀리즘 특징을 이용한 패션디자인의 표현성 연구", 한국의류산업학회지, 13(1), pp.7~16 (2011), 한국의류산업학회
  6. 박수연, "레이 가와쿠보 컬렉션에 나타난 맥시멀리즘의 표현 특성 분석", 복식문화연구, 24(5), pp.626~641 (2016), 복식문화학회[DOI]
  7. 박은경, "현대 패션에 표현된 맥시멀리즘에 관한 연구", 복식, 58(3), pp.1~18 (2008), 한국복식학회
  8. 사와 타카미츠, "자본주의의 재정의" (1995), 도서출판 푸른숲
  9. 손지현, "포스트모더니즘과 초등학교 미술교육과정에 관한 고찰", 미술과 교육, 5(2), pp.69~94 (2004)
  10. 이방원, "시각커뮤니케이션 크리에이티브 요소로서의 맥시멀리즘(Maximalism)의 표현유형별 효과에 관한 연구", 박사, 광고커뮤니케이션디자인학과, pp.2012
  11. 이지현, "빅터 & 롤프(Victor & Rolf) 작품에 나타난 맥시멀리즘 연구", 한국패션디자인학회지, 11(4), pp.61~79 (2011), 한국패션디자인학회
  12. 이지현, "알렉산더 맥퀸(Alexander McQueen) 작품에 나타난 맥시멀리즘(Maximalism)", 복식, 62(6), pp.165~181 (2012), 한국복식학회[DOI]
  13. 이지현, "장 폴 고티에 작품에 나타난 맥시멀리즘의 조형성에 관한 연구-오트 쿠튀르 컬렉션을 중심으로-", 조형미디어학, 16(4), pp.205~214 (2013), 한국일러스아트학회
  14. 이효진, "현대 복식에 표현된 맥시멀리즘 연구", 복식문화연구, 11(2), pp.275~292 (2003), 복식문화학회
  15. 정선화, "패션컬렉션에 나타난 맥시멀리즘 패션 표현유형 분석", 한국의상디자인학회지, 11(1), pp.155~167 (2009), 한국의상디자인학회
  16. 조규화, "복식미학" (2002), 수학사
  17. "Alexander McQueen 2012 F/W Collection"[URL]
  18. "Amaya Arzuaga 2011 S/S Collection"[URL]
  19. Carol, S., "The Annotated Mona Lisa" (2007), Andrew Mcmeel Publishing
  20. "Comme des Garçons 2011 F/W Collection"[URL]
  21. "Comme des Garçons 2012 F/W Collection"[URL]
  22. "Comme des Garçons 2013 S/S Collection"[URL]
  23. "Comme des Garçons 2015 S/S Collection"[URL]
  24. "Comme des Garçons 2016 F/W Collection"[URL]
  25. Cuito, A., "Minimalism Maximalism" (2002), Hearst
  26. Delville, M., "Frank Zappa, Captain Beefheart and the Secret History of Maximalism" (2005), Salt Publishing
  27. "Dolce & Gabbana 2013 F/W Collection"[URL]
  28. "Dries Van Noten 2012 F/W Collection"[URL]
  29. "Gareth Pugh 2015 S/S Collection"[URL]
  30. Gastaut, A., "Off the wall:Psychedelic Rock Posters from SanFrancisco" (2005), Thames & Hudson
  31. "Inbar Spector 2012 F/W Collection"[URL]
  32. "Lanvin 2012 F/W Collection"[URL]
  33. "Moschino 2016 F/W Collection"[URL]
  34. "Maximal"[URL]
  35. "2012 S/S Collection"[URL]
  36. Pincus-Witten, R, "Entries (maximalism): Art at the turn of the Decade" (1983), OOLP Inc
  37. "Rick Owens 2016 S/S Collection"[URL]
  38. Rivers, C., "Maximalism: The Graphic Design of Decadence & Excess" (2008), Roto Vision
  39. "Thom Browne 2012 F/W Collection"[URL]
  40. "Thom Browne 2013 F/W Collection"[URL]
  41. "Vetements 2015 S/S Collection"[URL]
  42. "Victor & Rolf 2011 S/S Collection"[URL]

관련 논문AI추천

맥시멀리즘의 조형적 특성을 활용한 패션디자인 연구염미선, 이서도한국의류산업학회 · 한국의류산업학회지2017 · 제19권 제6호맥시멀리즘 특징을 이용한 패션디자인의 표현성 연구김현진, 이은숙한국의류산업학회 · 한국의류산업학회지2011 · 제13권 제1호현대 남성복에 나타난 맥시멀리즘에 관한 연구 - 2012 S/S~2016 F/W 국외 컬렉션을 중심으로 -김미영, 박효주한국의류산업학회 · 한국의류산업학회지2016 · 제18권 제5호레이 가와쿠보 컬렉션에 나타난 맥시멀리즘의 표현 특성 분석김미영, 박수연복식문화학회 · 복식문화연구2016 · 제24권 제5호현대 여성 컬렉션에 나타난 젠더리스 스타일의 표현특성김지혜, 이연희복식문화학회 · 복식문화연구2016 · 제24권 제6호현대 니트 패션에 나타난 맥시멀리즘에 관한 연구강희명한국니트디자인학회 · 패션과 니트2015 · 제13권 제3호

이 간행물의 다른 논문 (7건)

가치소비 웨딩문화의 웨딩드레스 디자인 요소 분석김연수, 이인성, 김동은pp. 1-16의복소비가치가 프리미엄급 린넨의류의 사용유용성과 용이성 및 신제품 수용의도에 미치는 영향조현선, 김찬호pp. 17-29액티브 시니어 남성을 위한 아웃도어 재킷 개발김지은, 김은경pp. 31-46자연이미지를 활용한 리사이클 패션디자인 연구진안양, 하승연pp. 47-62TV 홈쇼핑 패션스타일리스트에 대한 모델의 관계마케팅 요인 분석의 차이안시현, 정성지pp. 63-71
원문 보기