춤무덤과 씨름무덤의 벽화구성 원리

Abstract

A study on the plot of mural paintings is essential to understand the murals paintings. It was commented that the plots of the Murals in Muyongchong and the Murals in Main camber were related Yin and Yang, which was symbolized to the binary notation. The binary notation was conformed with the form of 《The note of the Book of Changes(周易注)》written by Wang Pill(226-249) who was a chinese philosopher. Therefore, the mural painting's plot of Murals in Muyongchong a westling scene was investigated by applying the form of 《The note of the Book of Changes(周易注)》so called chinese 'I Ching'. The differences of the fabrication technique on the mural paintings were studied by referring both 〈Dan-gen〉and 〈Sang-gen〉of the confucius' 〈Sip-ik〉, because both <Dan-gen> and 〈Sang-gen〉 could be settled by the technique. Moreover the ceilling's mural painting of the Murals in Muyongchong was studied by comparing 〈Munun-gen〉. The Murals in Muyongchong as the tomb of mural painting was formed by the system of the 64 gwae and the 384 hyo, which showed whole plot of the 〈Sip-ik〉. Those meant that the thought of those days could be inferred through the configuration of the mural paintings.