시문학파와 시조의 영향 관계 연구 -김영랑․박용철․정지용의 시조 인식을 중심으로-

Abstract

This paper examined Kim YeongrangㆍPark YongchulㆍJung Jiyong’s Recognition of Sijo who are key persons of Simunhakpa. Examining their recognition of Sijo is important to look into the background in which free verse and Sijo could coexist in 『Simunhak』. It was found that Kim Yeongrang recognized Sijo as song, Park Yongchul recognized Sijo as poetry with a fixed form and Jung Jiyong recognized Sijo as language art. Kim Yeongrang’s recognition of Sijo formed naturally while he experienced Sijo and Pansori in his childhood. Kim Yeongrang recognized value of Sijo as Joseon’s traditional song. Kim Yeongrang did not think that creation of Sijo by Park Yongchul was undesirable. However, Kim Yeongrang did not have negative recognition of Sijo itself. Park Yongchul recognized Sijo as poetry with a fixed form other than song. This is found through advertisement in 『Sijodokbon』which he carefully selected ancient Sijo and modern Sijo. Recognizing Sijo as poetry with a fixed form means that he included Sijo into category of literature. Jung Jiyong recognized Sijo as language art which is equipped with both song and fixed form. Key persons of Simunhakpa are different in ways to recognize Sijo but they recognize tradition and value of Sijo. In other words, understanding Sijo and recognizing tradition and value allowed 『Simunhak』 to be space where tradition and modern are in good harmony.