다산 정약용의 만년기 차운시에 반영된송시 수용 양상 연구

Abstract

In the twilight of his life, the esteemed poet Jeong Yak-yong of the late Joseon Dynasty displayed a notable inclination towards Song poetry, signifying a discernible departure from his previous affinity for Tang poetry. With meticulous enthusiasm, Jeong Yak-yong immersed himself in writing poems according to the rhyme sequences used by notable Song Dynasty poets, including Su Shi, Lu You, Fan Chengda, and Yang Wanli. This exploration led to 13 sets of rhyme-borrowing poems, totaling 76 individual works, showcasing his profound understanding and acceptance of Song poetry in poetic subject matter, emotional tonality, and aesthetic style. Concerning lyrical subject matter, Jeong Yak-yong predominantly focused on the mundane aspects of daily life, unequivocally reflecting his embrace of vivid depictions of everyday life prevalent within traditional Song poetry. Furthermore, regarding emotional tonality, the poet imbued these poems with an optimistic and broad-minded sentiment, presenting his deep resonance with the Song Dynasty poets’ philosophy of elevating and transcending the sorrows inherent in human existence. Moreover, Jeong Yak-yong pursued a plain style of poetry, revealing his appreciation for the plain aestheticism championed by the distinguished poets of the Song Dynasty.