鄕歌 文學의 呪術的 性格 硏究

Abstract

The current study discussed that 「Hyeseongga」 is a perfect enchanting song that contains three elements as a enchanting son because it was sung for the purpose of beating the Japanese army by an enchanter named Yungcheonsa, as a result, the Japanese army left. On the other hand, another Hyangga 「Cheoyongga」is a song that was sung by Cheoyong who have the ability of an enchanter in order to expel an devil in his wife‘s body, as a result, the devil left. However, it showed a change from an enchanting song to a shaman song in a view that there was no spell in the song and one spell for a case was generalized. This change is revealed in Goryeogayo 「Cheoyongga」 more concretely, and it also shows that spells that displayed magical power based on linguistic magical power are caricatured. Therefore, it is possible to say that this presents the last track of an enchanter in Korean poems and songs. Korean enchanting songs that began from Gujiga maintained its enchanting tradition until Hyangga literature. However, enchanting songs in ancient songs that relied on perfect spells came to go through various changes in Hyangga literature. The current study examined the status of 「Hyeseongga」 that maintained the tradition of an enchanting song the best, and examined changes of Korean enchanting songs to shaman songs through comparative studies of Hyangga 「Cheoyongga」 and Goryeogayo 「Cheoyongga」. The study discussed that in enchanting songs presented in Korean poems and songs, enchanters who relied on spells only developed to relying on the principles of enchantment, and further the process in which enchanting songs changed to shaman songs as their magical ability became weak. Also the study revealed that evidence of this point is left in Hyangga works.