노(能), 兩性具有의 世界－그 樣相과 主題－
Noh, The World of Androgyny -Its Aspect and Theme-
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Abstract
In <Izutsu> and <Matsukaze> of Noh that is middle ages drama of Japan, a lady wandering heavens in a dress of her lover during her lifetime appears. In addition, in <Miwa> and <Kazuraki>, two gods as a god in traditional epic appear as goddess. In this study, androgyny motif being unfolded in these works and the topic of the works being exposed through such motif were analyzed as follows. First, Cross-dress motif being shown in <Izutsu> and <Matsukaze> was interpreted as metaphorical tool representing desire of unity with beloved one. In addition, as if shaman wears dress of opposite sex in order to greet god, male attire of this two heroines was interpreted as formal dress in order to marry Narihira that is god of erotism. Meanwhile, it was noted that appearance of god as goddess in <Miwa> and <Katsuraki> is an incident of rising a revolt against traditional sex transformation theory. As its result, Katsuraki god was destined to suffer endless agony with sattva as a female. On the other hand, <Miwa> unfolded light of sattva salvation by being one in body and spirit with Amatera that was the strongest goddess in the middle ages.
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