지식범주의 변신, 現量 다시 읽기 ― 唯識佛敎의 認識論에서 古典詩學으로

Abstract

The study purpose of this paper is twofold. First, it examines the conceptual structure of the knowledge category Pratyaksa(Xianliang 現量) of Chinese Buddhism originated in the ‘Hetu-vidyā research(因明學)’ of India. Second, systematically examines the process of establishing the current theory as a theory of poetry that expands and applies the present level of Chinese classical poetry to empirical interpretation of the propositions. The epistemology of Chinese Buddhism is composed of the Pratyaksa(Xianliang 現量), the anumāna(Biliang 比量), the Non quantity(Feiliang 非量) Three doses, Three realm(Sanjing 三境), and Three self nature(Sanzixing 三自性) which explain human cognition state. The Wangfuzhi(王夫之) of the Ming & Qing(明淸) Dynasty interpreted that the Pratyaksa(Xianliang 現量) among the epistemology of Knowledge Buddhism has the implication of 'Present', 'Ready-made', and 'Display reality'. Then, it proved the space - time of the cognition, the immediacy of the cognition, and the authenticity of the cognition. This is a comprehensive interpretation of the logical, systematic and analytical doctrinal system of Knowledge Buddhism(唯識佛敎). On the basis of this interpretation, Wangfuzhi(王夫之) applied the epistemological system of Knowledge Buddhism to the Chinese classical poetics area, so that the current category can comprehensively explain the charac - teristic aesthetic capture of creative inspiration and the true projection of the result of the image of reason. In particular, he insisted on the current ideology of poetics through the notion of ‘Mind and Eye(心目)’ which implies the implication of ‘Instant understanding(Ji jing hui xin 卽景會心)’ and ‘Feeling and Setting happily blended(Qing jing jiao rong 情景交融)’.