공연예술 영상기록의 현황과 과제 -국립극장 공연예술박물관을 중심으로-

Abstract

Performing arts has different characteristics compared with other kinds of art such as fine art, architecture, and sculpture. One of the distinct features is intangibility. There is no tangible results of creations. Moreover the original forms of performing arts disappear as the art works are shown on the stage. The arts exists only on the moment when it is being performed. Therefore, the certain time and place are specially related with the performance. The final characteristic of performing arts is that all different kinds of art are collaborated for the one art work. This is the reason why performing arts is often called the arts. These features make recording and documentation challenging as it is not actually possible to record and restore the original form. This cause different voices of proper methodology in recording performing arts. Video recording is preferentially used for preserving performing arts with intangibility and momentariness. It is hard to find the opposites of the fact that video is one of the best recording media in order to recall the image and memory of performing arts until today. This study explores the types and use of video recording focused on the museum of performing arts in National theatre of Korea. For the development of documentation and use of performing arts, first, the issues of copyrights and the related laws should be solved. Moreover, archives need to prepare the speedily changed technology in recording media such as dual servers for permanent preservation of records. Finally it is required to widely study on the documentation of performing arts and use and services of its video records.