만화가 컬렉션 아카이브 구축을 위한 정리․분류체계 개발에 관한 연구

Abstract

Content called ‘cartoons’ can be said to be the most effective means of delivering content. As a fictional character draws information as a scene with facial expressions and gestures, the visual effect is very large compared to reading a record consisting of only text. Therefore, in the past, cartoons were merely tools for fun, but today’s cartoons are demonstrating their value as information resources by showing excellence in content delivery, ripple power and professionalism. While research on cartoons is actively conducted, research on cartoonists is rather incomplete. Even a search based on the keyword ‘cartoonist’ in the National Assembly Electronic Library results in less than 1/3 of the search results for ‘cartoon’. In terms of records management, we need to look at ‘cartoonists’ as creators of records. ‘Creator’ refers to a person responsible for producing, preserving, and maintaining ‘records’. In the InterPARES Project, ‘author’ is defined as a person or institution with authority and ability to produce records. Then, wouldn’t it be necessary to study the ‘manga artist’ who produced the record of ‘Catoonist’ and the related ‘publisher’ or ‘editor’? In particular, if ‘Cartoon’ is collected from private records, it is necessary to organize the production context of ‘why’, ‘for what’, and ‘how’ the records were produced, and it is necessary to confirm who the producer is. In this research paper, we will take a look at the archiving arrangement and classification method for cartoonists from the point of view of story communicators who convey information and producers of ‘Cartoon’.