신석남본 심청굿 무가 연행 양상

Abstract

In this study, we looked at the performance patterns based on <Simcheong-gut> performed by Shin Seok-nam. It is estimated that Simcheong-gut began to be performed in the 1950s. Representative shamans who were active during the time when Simcheong-gut was established as a ritual on the East Coast included Lee Geum-ok, Kim Yu-seon, Byun Yeon-ho, and Shin Seok-nam. These are figures who dominated the contemporary era. Therefore, it is important to examine the performance aspects of Simcheong-gut performed by Shin Seok-nam. Shin Seok-nam was the third-generation holder of Gangneung Dano Gut, a national intangible cultural asset, Gangneung Dano Festival. Shin Seok-nam has a reputation for being good at gut among shamans on the East Coast. Despite this, there was no opportunity to shed light on Shin Seok-nam due to a lack of data on his travels. However, the sound recordings recorded by Im Seok-jae during his visit to the Gangneung Dano Festival in 1967 were released to the public, providing an opportunity to study Shin Seok-nam's Simcheong-gut. 1967 was the year in which the Gangneung Dano Festival was designated as a national intangible cultural asset, and Im Seok-jae's shamanic material is an important material that not only examines the performance aspects of Simcheong Gut but also allows us to estimate the early stages of Gangneung Dano Gut. For this study, 『Ancient Novel Simcheong-jeon』 and 『Gyojubon Simcheong-ga』, which formed the basis of Simcheong-gut shamanic song, were referred to. Simcheongga, written by Shin Seok-nam, adopts the lyrics of pansori as is, but is also narrated to the beats of the East Coast. Only a shaman skilled in gut can perform a performance by changing the rhythm while accepting the lyrics as is. Western shamans of the East Coast, including <Simcheong-gut>, have different ways of performing gutgeori depending on the skills and preferences of the shaman. If we look at the shamanic songs of <Simcheong Gut> that have been recorded to date, we can see that even the gut dances narrated by the same person are changing in various ways. Depending on the shaman's individual performance ability, additional songs may be added or omitted. Depending on the situation on the ground or social changes, the performance of gutgeori may increase or decrease depending on its nature. This phenomenon appears not only in <Simcheong-gut> but also in the entire East Coast Western shamanic genre. This may be because shamanism has not yet been established, but it changes depending on the shaman's performance ability and audience reaction. This is a characteristic of gut that is not standardized, and it proves that gut is still a living culture.