Jonathan Harvey’s Mortuos Plango, Vivos Voco: The Electronic Sacred
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Jonathan Harvey’s 1980 electroacoustic piece Mortuos plango, vivos voco features compositional strategies with a strong mystical side. Its dualism of life/death elements, both linked to different sound materials (voice and bell respectively), encourages a meditation that involves the listener’s inner dimension, thus providing the basis for a re-humanization of electronic music.
Abstract
Jonathan Harvey’s 1980 electroacoustic piece Mortuos plango, vivos voco features compositional strategies with a strong mystical side. Its dualism of life/death elements, both linked to different sound materials (voice and bell respectively), encourages a meditation that involves the listener’s inner dimension, thus providing the basis for a re-humanization of electronic music.
참고문헌 (12)
- BBC Radio3, "Sketches for Mortuos Plango, Vivos Voco (1980) - Jonathan Harvey, in Cut And Splice 2005", ~ (2005)
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- Dirks, P.L, "An Analysis of Jonathan Harvey's Mortuos Plango, Vivos Voco, in eContact! 9.2 Canadian Regions:The Prairies", Communauté électroacoustique canadienne, 2007
- Downes, M, "Jonathan Harvey: Songs of Offerings and White as Jasmine" (2009), Taylor & Francis Ltd
- Emmerson, S, "Living Electronic Music" (2017), Routledge
- Giomi, F., "L'esperienza elettroacustica di Franco Evangelisti: analisi di Incontri di fasce sonore, in Sonus – Materiali per la musica contemporanea, fascicolo 16, maggio 1996", ~ (1996)
- Harvey, Jonathan, "Mortuos Plango, Vivos Voco: A Realization at IRCAM", Computer Music Journal, 5(4), pp.22~24 (1981)
- Koffka, K, "Principles of Gestalt Psychology" (1935), Harcourt, Brace and Co
- Mathews, M, "The Technology of Computer Music" (1969), MIT Press
- Metzer, D, "Musical Modernism at the Turn of the Twenty-first Century" (2009), Cambridge University Press
- Roads, C, "The Computer Music Tutorial" (1996), MIT Press
- Schoenberg, A, "Style and Idea" (1950), Kensington Publishing Corporation
