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호메로스(Homeros)의 시 세계 고찰: 일리아스(Ilias) 읽기를 중심으로

Reading Ilias as Oral Poetry

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Ilias, along with Odysseia, also attributed to Homeros, is among the oldest extant works of Western literature, and its written version, usually dated to around the eighth century BC. Ilias was a standard work of great importance in classical Greece and remained so throughout the Hellenistic and Byzantine periods. During the Renaissance, with the resurgence of interest in Greek antiquity, Homer also came to be of great influence in European culture. And The Ilias remains the first and most influential work of the Western canon till now, proving as a living influence to western literature and culture as the very origin of classical resources. Demonstrating the way force, The Ilias has served for the important resources of contemporary popular culture, through epic science fiction adaptations/tributes, or novels, or stage versions or film adaptations. What is the cause which hinders the access to this "classic of classics", despite of the approved necessity of reading it? Ironically, the very genius of Homeros, resulting in numberless commentators, has made the reading very difficult. Now is the time we should claim and restore our right to read and appreciate Ilias, as it is, as the epic poem composed by Homeros, ‘a conscious literary artist.’This paper purposes to examine the makeup of Homer’s verse, in order to survey what creates the supreme masterpiece that has been handed down to us over more than two and a half millennia. It focuses on the investigation of the structure, the use of formulae, the ryhme, the essential poetic qualities, and the similies, in Ilias as an oral poetry. And it also observes the portrayals of the major human characters, including Achilleus and Hector, the two opposing representative human types in us. Reading Ilias leads us to approve that Ilias is a work composed by an original conscious literary artist, Homeros, rather than a literary amalgam of itinerant rhapsode handed down by many unknown bards.

Abstract

Ilias, along with Odysseia, also attributed to Homeros, is among the oldest extant works of Western literature, and its written version, usually dated to around the eighth century BC. Ilias was a standard work of great importance in classical Greece and remained so throughout the Hellenistic and Byzantine periods. During the Renaissance, with the resurgence of interest in Greek antiquity, Homer also came to be of great influence in European culture. And The Ilias remains the first and most influential work of the Western canon till now, proving as a living influence to western literature and culture as the very origin of classical resources. Demonstrating the way force, The Ilias has served for the important resources of contemporary popular culture, through epic science fiction adaptations/tributes, or novels, or stage versions or film adaptations. What is the cause which hinders the access to this "classic of classics", despite of the approved necessity of reading it? Ironically, the very genius of Homeros, resulting in numberless commentators, has made the reading very difficult. Now is the time we should claim and restore our right to read and appreciate Ilias, as it is, as the epic poem composed by Homeros, ‘a conscious literary artist.’This paper purposes to examine the makeup of Homer’s verse, in order to survey what creates the supreme masterpiece that has been handed down to us over more than two and a half millennia. It focuses on the investigation of the structure, the use of formulae, the ryhme, the essential poetic qualities, and the similies, in Ilias as an oral poetry. And it also observes the portrayals of the major human characters, including Achilleus and Hector, the two opposing representative human types in us. Reading Ilias leads us to approve that Ilias is a work composed by an original conscious literary artist, Homeros, rather than a literary amalgam of itinerant rhapsode handed down by many unknown bards.

참고문헌 (21)

  1. 강대진, "‘일리아스’, In ‘일리아스’, 영웅들의 전장에서 싹튼 운명의 서사시" (2011), 도서출판 그린 비
  2. 김한, "“Play’s the Thing”:공 연예술로서의 고전 르네상스 드라마", 고전 르네상스 영문학, 15(2), pp.165~191 (2006), 한국 고전 르네상스 영문학회
  3. 호메로스, "처음 읽는 일리아스" (2006), 웅진지식하우스
  4. 앙드레 보나르., "그리스인 이야기 I.: 호메로스에서 페리클레스까지" (2011), 책과 함께
  5. 로이 케네스 헤크, "그리스 철학과 신: 소크라테스 이전 철학자들에서 신개념의 역사" (2011), 도서출판
  6. 호메로스, "일리아스" (2007), 도서출판 숲
  7. 피에르 비달-나케, "호메로스의 세계" (2004), 솔 출판사
  8. Armstrong, James I., "The Arming Motif in the Iliad", The American Journal of Philology, 79(4), pp.337~354 (1958)
  9. Arnold, Matthew, "On Translating Homer, In The Oxford Guide to English Literature in Translation" (2000), Oxford UP
  10. Burguess, John, "The Faber Pocket Guide to Greek and Roman Drama" (2005), Faber and Faber
  11. "The Columbia Encyclopedia, Fifth Edition" (1994), Columbia UP
  12. Homer., "The Iliad of Homer" (1999), Dover
  13. Homer, "Poet of the Iliad" (1987), Johns Hopkins UP
  14. Homer. Iliad., "Richmond Lattimore" (1987), U of Chicago P
  15. Imavichi, Tomonobu, "Dante Alighieri Divina Comedia" (2004), Misuzu Shobo Ltd
  16. Kitto, H. D. F, "The Odyssey: The Exclusion of Surprise, In Homer’s the Odyssey. Modern Critical Interpretations" (1988), Chelsea House
  17. Lord, Albert, "The Singer of Tales" (1960), Harvard UP
  18. Toohey, Peter, "Reading Epic : An Introduction to the Ancient Narrative" (1992), Routledge
  19. "The Concept of the Hero in Greek Civilization"[URL]
  20. "Heroes and the Homeric Iliad"[URL]

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