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리어 왕 의 에드가와 의미에의 의지

Edgar in King Lear and His Will to Meaning

한상옥
한국고전중세르네상스영문학회 (Korea Association of Classical, Medieval, and Renaissance English Literature)|2005.12|고전 르네상스 영문학 (Journal of Classic and English Renaissance Literature)|제14권 제2호|pp. 5-34

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참고문헌

키워드

자기초월self-transcendenceKing Lear에드가의미에의 의지의미의 발견태도선택의 자유『리어 왕』Edgarthe will to meaningthe discovery of meaningthe freedom to choose one's attitude
주제분류영어와문학

초록

Abstract

This study aims to clarify how the will to meaning works in the process that Edgar, the victim of his relations, rejects to be a slave of the painful fate and changes himself into a victor of suffering, for the better understanding of his character and role in King Lear. I focused my attention on three issues. They are as follows: ① the pit of fate which Edgar falls into; ② the discovery of the meaning in each situation where he meets mad Lear and blind Gloucester separately; ③ getting back his name.Edgar is optimistic, rational and pure-hearted. When the urgent situation in which his life is in great danger has become his unchangeable fate, he chooses not to be destroyed by the fate but acts self-transcendently as well as with his strong will to meaning. At the same time through those experiences he himself learns humility, patience and the wisdom to wait for the ripeness of time, and then realizes the tragic reality of life in the face of the deaths of both his father and Lear.We see that the will to meaning and the capacity of self-transcendence have supported Edgar's life so strongly. When we consider that man exists in a web of relations and that there are always violence and pain wherever human beings live, we can say Edgar's attitude toward life shows us a way we can live as a victor of suffering.

참고문헌 (28)

  1. "Text against Performance Renaissance Essays in Honor of C U of Delaware P", pp.210~29 (1985)
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  7. "Some Facets of King Lear Essays in Prismatic Criticism", pp.221~37 (1974), Heinemann
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  12. "2nd ed" (1958), Batsford
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  16. "Character or Function? Essays in Criticism 7", pp.1~21 (1957)
  17. "King Lear: Shakespeare in Performance" (2004), Manchester UP
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  19. "King Lear in Our Time" (1966), Methuen
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  24. "The Gloucester Plot and Its Function", pp.170~179 (1996), G. K. Hall
  25. "King Lear, The Arden Shakesp" (1997), Thomas Nelson
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관련 논문AI추천

『리어왕』에 재현된 억눌린 자의 귀환고석기한국셰익스피어학회 · Shakespeare Review2005 · 제41권 제4호『리어왕』(King Lear)의 기독교적 해석홍기영대한영어영문학회 · 영어영문학연구2004 · 제30권 제3호리어왕의 해체적 접근: 선물의 가능성과 불가능성을 중심으로한용재한국셰익스피어학회 · Shakespeare Review2004 · 제40권 제1호『리어왕』의 질서회복윤기권대한영어영문학회 · 영어영문학연구2004 · 제30권 제2호『리어 왕(King Lear)』: 호기심, 허구 이야기, 그리고 침묵의 기호학윤희억한국셰익스피어학회 · Shakespeare Review2004 · 제40권 제4호적자와 서자의 대결 무대: 『리어왕』을 중심으로이윤주한국셰익스피어학회 · Shakespeare Review2006 · 제42권 제4호

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