본문 바로가기
KERD
논문KCI 등재

On Cultural Identity Construction in David Henry Hwang’s Chinglish

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

초록

This study aims to interpret the construction of cultural identity in David Henry Hwang’s Chinglish from the perspective of Homi Bhabha’s cultural translation theory. Cultural translation signifies a strategy of cultural survival, aiming to give each unique language tradition or cultural text its own space. In the play, the playwright displays the ambivalence of the collision between Chinese and Western cultures through the performance of the protagonist Daniel on the Chinese cultural phenomenon “guanxi,” ensuring the likelihood of cultural negotiation. Using hybrid strategies with the protagonists’ languages, cultures, and identities, the playwright undermines stereotypes of the East held by the West and successfully overthrows the hegemonic position of the colonialist culture. Furthermore, through intercultural negotiation and hybridity, each language tradition or cultural text acquires its own living space and creates new meanings in the Third Space, thereby creating a new cultural identity.

Abstract

This study aims to interpret the construction of cultural identity in David Henry Hwang’s Chinglish from the perspective of Homi Bhabha’s cultural translation theory. Cultural translation signifies a strategy of cultural survival, aiming to give each unique language tradition or cultural text its own space. In the play, the playwright displays the ambivalence of the collision between Chinese and Western cultures through the performance of the protagonist Daniel on the Chinese cultural phenomenon “guanxi,” ensuring the likelihood of cultural negotiation. Using hybrid strategies with the protagonists’ languages, cultures, and identities, the playwright undermines stereotypes of the East held by the West and successfully overthrows the hegemonic position of the colonialist culture. Furthermore, through intercultural negotiation and hybridity, each language tradition or cultural text acquires its own living space and creates new meanings in the Third Space, thereby creating a new cultural identity.

참고문헌 (30)

  1. Ahmed, Sheikh Saifullah, "The Exploration of Ambivalence and Hybridity in The Tempest", International Journal of Social Sciences & Humanities, 5(1), pp.44~60 (2020)
  2. Benet‐Martínez, Verónica, "Bicultural Identity Integration (BII): Components and Psychosocial Antecedents", Journal of Personality, 73(4), pp.1015~1050 (2005)
  3. Bennett, Susan, "Performance and the Global City" (2013), Palgrave Macmillan
  4. Bhabha, Homi K., "The Location of Culture" (2006), Routledge
  5. Bhabha, Homi K., "Nation and Narration" (2013), Routledge
  6. Bian, Yanjie, "Work and Inequality in Urban China" (1994), State University of New York Press
  7. Brannen, Mary Yoko, "Bicultural Individuals in Organizations: Implications and Opportunity", International Journal of Cross-Cultural Management, 10(1), pp.5~16 (2010)
  8. Davis, Kathleen, "Deconstruction and Translation" (2014), Routledge
  9. Denoux, Patrick, "L'identité interculturelle", Bulletin de psychologie, 48(419), pp.264~270 (1994)
  10. Farr, Robert. M., "Individualism in a Period of Rapid Political and Economic Change", Lecture at Collegium Budapest, ~ (1995)
  11. Hall, Stuart, "Diaspora and Visual Culture" (2014), Routledge
  12. Hofstede, Geert H., "Culture’s Consequence: Comparing Values, Behaviors, Institutions, and Organizations Across Nations" (2001), Sage
  13. Huang, Hui Wen, "Surtitling in Theatrical Play: a Case Study of Chinglish", pp.2019
  14. Hwang, David Henry, "Chinglish" (2012), Dramatists Play Service
  15. Karjalainen, Helena, "Cultural identity and its impact on today’s multicultural organizations", International Journal of Cross-Cultural Management, 20(2), pp.249~262 (2020)
  16. Koerner, Catherine, "Governance and Multiculturalism:The White Elephant of Social Construction and Cultural Identities" (2019), Palgrave Macmillan
  17. Krause, Jill, "Identities in International Relations" (2016), Palgrave Macmillan
  18. Larrain, Jorge, "Ideology and Cultural Identity: Modernity and the Third World Presence", John Wiley & Sons (2013)
  19. Lee, Esther Kim, "The Theatre of David Henry Hwang" (2015), Bloomsbury
  20. Lefcourt, Herbert M., "Locus of Control: Current Trends in Theory and Research" (1976), LEA
  21. Lei, Daphne, "The Theatre of David Henry Hwang, edited by Esther Kim Lee" (2015), Bloomsbury
  22. Mellino, Miguel, "The International Encyclopedia of Anthropology" (2018), John Wiley & Sons
  23. Miller, Richard L., "Cross-cultural Psychology: Contemporary Themes and Perspectives" (2019), Wiley-Blackwell
  24. Pekerti, Andre Anugerah, "n-Culturals:Modeling the multicultural identity", Cross Cultural and Strategic Management, 23(1), pp.101~127 (2016)
  25. Phinney, Jean S., "Variations in bicultural identification among African American and Mexican American adolescents", Journal of Research on Adolescence, 7(1), pp.3~32 (1997)
  26. Rinne, Tiffany, "The Role of Hofstede’s Individualism in National-Level Creativity", Creativity Research Journal, 25(1), pp.129~136 (2013)
  27. Robinson, Douglas, "Translation and Empire: Postcolonial Theories Explained" (2007), Foreign Language Teaching and Research Press
  28. Sheng, Anfeng, "Post-colonialism, Identity and Minority Humanization:An Interview with Homi Bhabha", Foreign Literature, 2002(6), pp.56~61 (2002)
  29. Sheng, Anfeng, "A Study of Homi K. Bhabha’s Postcolonial Theories", pp.2004
  30. Tsang, Eric WK, "Can guanxi be a source of sustained competitive advantage for doing business in China?", Academy of Management Perspectives, 12(2), pp.64~73 (1998)

관련 논문AI추천

이 간행물의 다른 논문 (3건)