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메이지・다이쇼 작품의 てくれ・てください의 표현 양상

Expressions of requests using give and receive verbs in the era of Meizi and Taisyo

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초록

Request expressions can be defined as expressions that demand or ask the other person to do certain movements. There are direct request expressions that ask the other person to do certain movements directly and indirect request expressions that ask the other person to do certain movements by describing the speaker's condition. The study analyzed gender and hierarchy of speakers and listeners who used ‘tekure’ and ‘tekudasai’ in dialog examples of the Meiji Period and the Taisho Period. In those periods, the modern Tokyo dialect was formed and established.『Toseishoseikatagi』in Meiji 10s,『Ukigumo』『Natsukodachi』『Tajotakon』in Meiji 20s,『Hakai』『Botchan』in Meiji 30s,『Huton』『Inakakyoshi』 in Meiji 40s and 『Aruonna』in the Taisho Period were analyzed for the study. ‘kure’ was used more by male speakers than female speakers. Examples by female speakers were shown on the novels after Meji 30s. In case of male speakers, they often used it to listeners with an equitable relationship at 『Toseishoseikatagi』in Meiji 10s but they often used it to younger listeners at『Hakai』in Meiji 30s. ‘okure’ was used more by female speakers than male speakers. Listeners were varied from older ones to younger ones. In case of female speakers, ‘okure’ was used more often at 『Aruonna』in the Taisho Period than the other novels. In case of male speakers, ‘okure’ was used only at 『Ukigumo』『Natsukodachi』and 『Hakai』. ‘Okurenasai’ was used outstandingly by female speakers on the form of ‘okunー’. In case of ‘kudasai’, female speakers used it more than male speakers at 『Toseishoseikatagi』 and 『Aruonna』but male speakers used it more than female speakers at 『Tajotakon』and 『Hakai』. Listeners were varied from older ones to younger ones. ‘o~kudasai’ was not shown until Meiji 20s but shown after Meiji 30s among the analyzed novels. According to gender, it was used a little bit more often by female speakers than male speakers. According to hierarchy, listeners were usually older than speakers. ‘o~nasatekudasai’ was used more often by male speakers than female speakers. Listeners were also usually older than speakers.

Abstract

Request expressions can be defined as expressions that demand or ask the other person to do certain movements. There are direct request expressions that ask the other person to do certain movements directly and indirect request expressions that ask the other person to do certain movements by describing the speaker's condition. The study analyzed gender and hierarchy of speakers and listeners who used ‘tekure’ and ‘tekudasai’ in dialog examples of the Meiji Period and the Taisho Period. In those periods, the modern Tokyo dialect was formed and established.『Toseishoseikatagi』in Meiji 10s,『Ukigumo』『Natsukodachi』『Tajotakon』in Meiji 20s,『Hakai』『Botchan』in Meiji 30s,『Huton』『Inakakyoshi』 in Meiji 40s and 『Aruonna』in the Taisho Period were analyzed for the study. ‘kure’ was used more by male speakers than female speakers. Examples by female speakers were shown on the novels after Meji 30s. In case of male speakers, they often used it to listeners with an equitable relationship at 『Toseishoseikatagi』in Meiji 10s but they often used it to younger listeners at『Hakai』in Meiji 30s. ‘okure’ was used more by female speakers than male speakers. Listeners were varied from older ones to younger ones. In case of female speakers, ‘okure’ was used more often at 『Aruonna』in the Taisho Period than the other novels. In case of male speakers, ‘okure’ was used only at 『Ukigumo』『Natsukodachi』and 『Hakai』. ‘Okurenasai’ was used outstandingly by female speakers on the form of ‘okunー’. In case of ‘kudasai’, female speakers used it more than male speakers at 『Toseishoseikatagi』 and 『Aruonna』but male speakers used it more than female speakers at 『Tajotakon』and 『Hakai』. Listeners were varied from older ones to younger ones. ‘o~kudasai’ was not shown until Meiji 20s but shown after Meiji 30s among the analyzed novels. According to gender, it was used a little bit more often by female speakers than male speakers. According to hierarchy, listeners were usually older than speakers. ‘o~nasatekudasai’ was used more often by male speakers than female speakers. Listeners were also usually older than speakers.

참고문헌 (15)

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  4. 尾崎喜光, "女性専用の文末形式のいま, In 女性の言葉·職場編" (1997), ひつじ書房
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  6. 金久保紀子, "待遇表現としての授受表現", 日本文化研究, (4) (1993)
  7. 国広哲弥, "日英語比較講座 第5巻 文化と社会" (1982), 大修館書店
  8. 佐藤里美, "してくれ·してください, In ことばの科学5" (1992), むぎ書房
  9. 清水勇吉, "依頼表現に見るポライトネス〡性差のかかわりを中心に〡", 徳島大学国語国文学, (22) (2009)
  10. 鈴木重幸, "日本語文法․形体論" (1972), むぎ書房
  11. 沼田善子, "授受動詞文と対人認知, In 日本語学" (1999), 明治書院
  12. 松村明, "近代の国語-江戸から現代へ-" (1977), 桜風社
  13. 前田広幸, "「~てください」と「お~ください」", 日本語学, 9 (1990)
  14. 前田広幸, "日本語敬語体系における四つの非対象性について -その背景にある 語用論的原理および競合する原理間の優先関係-, In 大阪女子大学国文 学科紀要 女子大学 国文篇" (1997)
  15. 松村明, "江戸語東京語の研究" (1957), 東京堂

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