ANTIQUENESS AND COARSENESS: UNDERSTANDING KOREAN AESTHETICS FROM THE PERSPECTIVE OF DAOISM
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
During the last century, domestic and foreign scholars alike engaged in diverse discourses on Korean aesthetics. However, the majority of these discussions did not take place as part of specialized academic research, but rather consisted solely of authors’ renderings of their intuitive judgment or individual impressions. Furthermore, even when attempts were made to discuss theories relating to Korean aesthetics, the majority of these merely focused on the characteristics of Korean arts, and in particular craft items. As these discussions have been carried out within limited frameworks such as those of the uniqueness or identity of Korean aesthetics, these have to some extent become esoteric in nature. As a result, the theory of Korean aesthetics could not overcome the existing framework in which it emerged as a simple by-product in the study of Korean art history. In this regard, there is a need to expand the sphere of the study of Korean aesthetics by examining it from the standpoint of the wider culture known as humanitarianism. Few examinations of Korean aesthetics as part of studies of ideo-logical and religious notions such as those found in Buddhism, Confucianism, Daoism, or Shamanism, or even in everyday life, have been undertaken. To this end, this study intends to conduct a reanalysis from the standpoint of Daoist philosophy, or more specifically, of the religious perspectives contained in Daoism, so as to be able to relativize and generalize Korean aesthetics.
Abstract
During the last century, domestic and foreign scholars alike engaged in diverse discourses on Korean aesthetics. However, the majority of these discussions did not take place as part of specialized academic research, but rather consisted solely of authors’ renderings of their intuitive judgment or individual impressions. Furthermore, even when attempts were made to discuss theories relating to Korean aesthetics, the majority of these merely focused on the characteristics of Korean arts, and in particular craft items. As these discussions have been carried out within limited frameworks such as those of the uniqueness or identity of Korean aesthetics, these have to some extent become esoteric in nature. As a result, the theory of Korean aesthetics could not overcome the existing framework in which it emerged as a simple by-product in the study of Korean art history. In this regard, there is a need to expand the sphere of the study of Korean aesthetics by examining it from the standpoint of the wider culture known as humanitarianism. Few examinations of Korean aesthetics as part of studies of ideo-logical and religious notions such as those found in Buddhism, Confucianism, Daoism, or Shamanism, or even in everyday life, have been undertaken. To this end, this study intends to conduct a reanalysis from the standpoint of Daoist philosophy, or more specifically, of the religious perspectives contained in Daoism, so as to be able to relativize and generalize Korean aesthetics.
참고문헌 (28)
- An Dongrim, "Zhuangzi" (2010), Hyŏn’amsa
- Cho Tongil, "The face and aesthetic range of Korean literature . in: Guidelines for understanding Korean literature" (1996), 집문당
- Cho Yohan, "Analysis of Korean beauty" (1999), 열화당
- Cho Yohan, "Philosophy of art" (2003), 미술 문화
- Ch’oe Wŏnsik, "The untraveled road" (2006), Incheon Foundation for Arts & Culture
- Ch’oe Chunsik, "Do Koreans have a culture?" (1997), 사계절
- Clarke, J. J., "The Tao of the West: Western Transformations of Taoist Thoughts", Routledge (2000)
- Collingwood, B.G., "The Principles of Art", Oxford (1938)
- Forke, Alfred., "Die Gedankenwelt des chinesischen Kulturkreises" (1927)
- Ivanhoe, Philip J., "Paradox of Wuwei?", Journal of Chinese Philosophy, 33(2), pp.277~287
- Kant, Immanuel, "Saemtliche Werke" (1927), Stuttgart
- Kim Chewŏn, "Ancient Arts. in: Korean Studies Today" (1970)
- Kim Imsu, "Ko Yusŏp and Korean aesthetics: the background of Ko Yusŏp’s modern Western aesthetics. in: The untraveled road" (2006), Incheon Foundation for Arts & Culture
- Ko Yusŏp, "Collection of Ko Yusŏp’s works" (1993), T’ongmun’gwan
- Kwŏn Yŏngp’il, "Dialogue: The actual state of the discourse on Korean aesthetics and future tasks. in: Reexamining the beauty of Korea" (2005), Dolbegae
- 권영필, "“The Aesthetic” in Traditional Korean Art and Its Influence on Modern Life", Korea Journal, 47(3), pp.9~34 (2007), 유네스코한국위원회
- Lau, Kwok-ying, "To what extent can phenomenology do justice to Chinese philosophy?. in: “Keramik” in Kleines Woerterbuch der Japanologie" (1966), Wiesbaden
- Mandane, Orlando Ali, "Humor in Zhuang Zi’s Philosophy", PHAVISMINDA Journal, 4, pp.51~73 (2005)
- Oh Kangnam, "Dao De Jing" (1995), Hyŏn’amsa
- Song Hang-Ryong, "Oriental philosophy, some of the issues", Yŏgang Ch’ulp’ansa
- Slingerland, Edward, "Effortless Action: The Chinese Spiritual Ideal of Wuwei", Journal of the American Academy of Religion, 68(2), pp.293~328 (2000)
- Slingerland, "Conceptual Metaphor Theory as Methodology for Comparative Religion", Journal of the American Academy of Religion, 72(1), pp.1~31 (2004)
- Watson, Burton, "The Complete Works of Chuang-Tzu" (1968), Columbia University Press
- Waley, A., "Three Ways of Thought in Ancient China" (1956)
- Wu, Kuang-ming, "Hermeneutic Explorations in the Zhuangzi", Journal of Chinese Philosophy, 33(1), pp.61~79 (2006)
- Yi In-bŏm, "Yanagi Muneyoshi, Rereading the Korean Aesthetic" (2006), Dolbaegae
- Yu Hongjun, "My exploration of our cultural heritage" (2009), Ch’angbi
- Zhu, Rui, "Wu-Wei: Lao-zi, Zhuang-zi and the Aesthetic Judgement", Asian Philosophy, 12(1), pp.53~63 (2002)