중국과 한국의 시대별 작곡가 비교

Abstract

· Research topics: This study compares and analyzes the development of artist songs in China and Korea in the 20th century by period and examines how the acceptance of Western music and traditional music of their own countries were combined to form original artist songs. In this process, the study focuses on how representative composers of each era transformed Western music techniques and created artistic songs reflecting national identity based on them. · Research background: After introducing Western music in earnest in the early 20th century, China and Korea faced the task of converging it with Western music. In China, the May 4 Movement 1919 emphasized nationalism and independence, and a cultural movement to embrace and combine Western music with traditional Chinese culture was activated. through this, composers such as Cheongju created original artist songs that were fused with traditional Chinese poetry literature using Western music techniques. On the other hand, in Korea, musical efforts to preserve the national identity were strengthened during the Japanese colonial era after the March 1st Movement in 1919, and composers such as Hong Nan-pa created artistic songs that contained Korean emotions based on Western music techniques. Both countries developed artist songs through efforts to preserve their respective national identities while accepting Western music in this historical background. · Differences from prior research: This paper systematically views the two countries' musical characteristics and development process by comparing and analyzing Chinese and Korean composers by period. While existing studies have focused on the music history or specific times of a country, this study is differentiated by comparing the music traditions of the two countries and the process of accepting Western music. Through this, the unique identity and musical historical significance of contemporary music in China and Korea are newly presented. · Research method: This study compares the development process of artist songs in China and Korea by period, focusing on qualitative analysis. The main methods of the study are as follows. We examined how each country's artists' songs have developed by analyzing literature and data dealing with major artists' songs in China and Korea in the 20th century. Focusing on the major works of representative composers of each period (Cheongju, Soumae, Hwangja, Hong Nanpa, Park Tae-joon, Chae Dong-sun, and Kim Dong-jin), how they accepted and transformed Western music techniques, and how they fused with their traditional music were analyzed. By comparing the development process of artist songs in China and Korea in connection with political and social background, a comparative study was conducted on how the two countries accepted and transformed Western music and how each country's national identity was reflected. · Research results: The development of Chinese and Korean artist songs showed different developments according to their respective political and social changes. However, there was a common trend of national identity and fusion of Western music techniques. Composers from the two countries created original artist songs while maintaining their traditional musical elements and transforming Western musical techniques. · Contribution points and expected effects: This study provided data to deeply understand the two countries' musical traditions and creative processes by comparing and analyzing the development process of artists' songs in China and Korea. In addition, it can be used as important basic data for subsequent research in terms of the acceptance of Western music and the fusion of local traditions and it has a great contribution in that it provides academic insights into international music exchange and cooperation.