Письмо и опыт веры: литературное представление (А. Пушкин - В. Розанов - С. Кржижановский)
Writing and experience of faith: literary representation (A. Pushkin - V. Rozanov - S. Krzhizhanovsky)
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The article is devoted to analysis of relations between literature and religion faith based on works of Alexander Pushkin (1799-1837), Vasily Rozanov (1856-1919) and Sigismund Krzhizhanovsky (1887-1950). The very relation “belief/unbelief” makes an essential characteristic of Russian writing: faith acts as an ideal model of spiritual experience of the author or hero and also as an ontological guideline of literary representation. Changing in history the relation “belief/unbelief” occurs to be a constant of Russian literature, thus showing its holistic nature and national and cultural features. The substantial thing is representation of belief and unbelief in creativity, which identifies Russian writing. In the works of Alexander Pushkin faith acts as ontological characteristic of writing (“Pushkin deals with the fullness of reality”). In Vasily Rozanov’s creativity faith determines existential features of writing, that is connected with his invention of aphoristic manner (“Dead Leaves”) and constructing of “discrete text” (existential topology of writing). In the works of Sigismund Krzhizhanovsky theme of faith is transformed into the theme of symbolical constructing of the world, which can’t be understood without faith experience. Writer acts as a “new gnostic” in that case. Neither lyric poetry nor epos could be a true literary form, but only drama, in which the question of belief and unbelief as senses of existence always persists.
Abstract
The article is devoted to analysis of relations between literature and religion faith based on works of Alexander Pushkin (1799-1837), Vasily Rozanov (1856-1919) and Sigismund Krzhizhanovsky (1887-1950). The very relation “belief/unbelief” makes an essential characteristic of Russian writing: faith acts as an ideal model of spiritual experience of the author or hero and also as an ontological guideline of literary representation. Changing in history the relation “belief/unbelief” occurs to be a constant of Russian literature, thus showing its holistic nature and national and cultural features. The substantial thing is representation of belief and unbelief in creativity, which identifies Russian writing. In the works of Alexander Pushkin faith acts as ontological characteristic of writing (“Pushkin deals with the fullness of reality”). In Vasily Rozanov’s creativity faith determines existential features of writing, that is connected with his invention of aphoristic manner (“Dead Leaves”) and constructing of “discrete text” (existential topology of writing). In the works of Sigismund Krzhizhanovsky theme of faith is transformed into the theme of symbolical constructing of the world, which can’t be understood without faith experience. Writer acts as a “new gnostic” in that case. Neither lyric poetry nor epos could be a true literary form, but only drama, in which the question of belief and unbelief as senses of existence always persists.
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