본문 바로가기
KERD
논문KCI 등재

S Que Voy a Regresar: Migrant Music and Globalization in the Nuevo South

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류학제간연구

초록

Migrant music is an immediately noticeable aspect of the unprecedented and massive recent Latino immigration to the American South. This article examines the evolving embeddedness of migrant music culture in the new context of a globalized South. The unique historical and socioeconomic moment produced by Latino immigration is rightly viewed as a unique musical moment worth detailed study. This article evaluates globalized acculturation in the region both by demonstrating the resilience of traditional music in new migrant populations and by tracing the significant and unexpected rise of hybridization in the music being produced. It describes events involving migrant music, such as norteño bands in North Carolina and Mexican rodeos in Virginia. In so doing, this article describes the type, transfer, and process of migrant music and presents the evolving meaning of the music in its new regional context. This approach incorporates the insights of southern history and globalization theory as well as ethnomusicology. Music is a vital part of southern tradition, culture, and identity, and it is an appreciable if not core aspect of migrant culture. Music is also an excellent means of mapping complicated new southern regional identities. These changes are enriching a new southern identity for the global age. Studying migrant music is a means of understanding the impact of globalization on the South and regional identity as it also a means of understanding globalization itself.

Abstract

Migrant music is an immediately noticeable aspect of the unprecedented and massive recent Latino immigration to the American South. This article examines the evolving embeddedness of migrant music culture in the new context of a globalized South. The unique historical and socioeconomic moment produced by Latino immigration is rightly viewed as a unique musical moment worth detailed study. This article evaluates globalized acculturation in the region both by demonstrating the resilience of traditional music in new migrant populations and by tracing the significant and unexpected rise of hybridization in the music being produced. It describes events involving migrant music, such as norteño bands in North Carolina and Mexican rodeos in Virginia. In so doing, this article describes the type, transfer, and process of migrant music and presents the evolving meaning of the music in its new regional context. This approach incorporates the insights of southern history and globalization theory as well as ethnomusicology. Music is a vital part of southern tradition, culture, and identity, and it is an appreciable if not core aspect of migrant culture. Music is also an excellent means of mapping complicated new southern regional identities. These changes are enriching a new southern identity for the global age. Studying migrant music is a means of understanding the impact of globalization on the South and regional identity as it also a means of understanding globalization itself.

참고문헌 (79)

  1. Ramiro Burr, "Tejano and Regional Mexican Music" (1999), Watson-Guptill Publications
  2. John M. Schechter, "Popular Mexican musical traditions: the Mariachi of West Mexico and the Conjunto Jarocho of Veracruz, In Schechter, Music in Latin American Culture: Regional Traditions" (1999), Schirmer Books
  3. Steven Loza, "Contemporary Ethnomusicology in Mexico", Latin American Music Review, 1990, pp.11(2), 201~250
  4. Mohl, "Globalization, Latinization, and the Nuevo New South", Journal of American Ethnic History, 32
  5. Raymond A. Mohl, "Globalization, Latinization, and the Nuevo New South, In Globalization and the American South", pp.66~99 (2005), University of Georgia Press
  6. Mohl, "Latinization in the Heart of Dixie: Hispanics in the Late-Twentieth-Century Alabama", Alabama Review, pp.243~274 (2002)
  7. John D. Kasarda, "The Economic Impact of the Hispanic Population on the State of North Carolina", pp.1~3 (2006), Frank Hawkins Kenan Institute of Private Enterprise, University of North Carolina-Chapel Hill
  8. "The New Latino South: The Context and Consequences of Rapid Population Growth" (2005)[URL]
  9. Patricia Lynn Goerman, "The Promised Land? The Gendered Experience of New Hispanic ‘Proletarian’ Immigrants to Central Virginia", 박사, pp.2004
  10. Holly R. Barcus, "The Emergence of New Hispanic Settlement Patterns in Appalachia", The Professional Geographer, 59(3), pp.298~315 (2007)
  11. Latino Origins Populations, In The New Encyclopedia of Southern Culture, vol 2: Geography, "Hispanic", pp.2006, Daniel D. Arreola
  12. Daniel D. Arreola,, "Hispanic Spaces, Latino Places: Community and Cultural Diversity in Contemporary America" (2004), University of Texas Press
  13. Heather A. Smith, "Latinos in the New South: Transformations of Place" (2007), Ashgate
  14. Marcia Farr, "Rancheros in Chicagoacán: Language and Identity in a Transnational Community" (2006), University of Texas Press
  15. Marcelo Orozco-Suarez, "Latinos: Remaking America" (2002), University of California Press
  16. Nicholas De Genova, "Working the Boundaries: Race, Space, and “Illegality” in Mexican Chicago" (2005), Duke University Press
  17. Leon Fink, "The Maya of Morganton : Work and Community in the Nuevo New South" (2003), University of North Carolina Press
  18. Héctor Tobar, "Translation Nation : Defining a New American Identity in the Spanish-Speaking United States" (2005), Riverhead Books
  19. Jeff Todd Titon, "Knowing Fieldwork, In Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology", pp.93~ (1997), Oxford University Press
  20. Edward Ayers, "What We Talk About When We Talk about the South, In All Over the Map: Rethinking America Regions", pp.62~82 (1996), The Johns Hopkins University Press
  21. Peter Kolchin, "A Sphinx on the American Land : The Nineteenth Century South in Comparative Perspective" (2003), Louisiana State University Press
  22. Kornelia Hahn, "Regionalism in Global Societies: A Contradiction? , In Regionalism in the Age of Globalism, vol. 1: Concepts of Regionalism", pp.87~100 (2005), Center for the Study of Upper Midwestern Cultures
  23. M. Kearney, ""The Local and the Global : The Anthropology of Globalization and Transnationalism", Annual Review of Anthropology, 24(1995), pp.547~565 (1995)
  24. John Lie, "From International Migration to Transnational Diaspora", Contemporary Sociology, 24(4), pp.303~306 (1995)
  25. Daniel Mato, "On the Making of Transnational Identities in the Age of Globalization: The U.S. Latina", o-‘Latin’ American Case, 1998, 598~620
  26. Bryan R. Roberts, "Transnational Migrant Communities and Mexican Migration to the US", Ethnic & Racial Studies, 22(2), pp.238~266 (1999)
  27. Rainer Bauböck, "Toward a Political Theory of Migrant Transnationalism", International Migration Review, 37(3), pp.700~723 (2003)
  28. Guillermo Gómez-Peña, "The New Global Culture: Somewhere between Corporate Multiculturalism and the Mainstream Bizarre (A Border Perspective)", TDR, 45(1), pp.7~30 (2001)
  29. Arjun Appadurai, "Disjuncture and Difference in the Global Cultural Economy, In Appadurai, Modernity at Large: Cultural Dimensions of Globalization", pp.27~43 (1996), University of Minnesota Press
  30. Martin Stokes, Ethnicity, "Identity and Music : The Musical Construction of Place", pp.3~ (1994), Berg
  31. James L. Peacock, "The American South in a Global World", pp.2~3 (2006), University of North Carolina Press
  32. Nikos Papastergiadis, "The Turbulence of Migration: Globalization, Deterritorialization and Hybridity", pp.4~85 (2000), Polity Press
  33. James L. Peacock, "Grounded Globalism : How the U. S. South Embraces the World", pp.40~43 (2007), University of Georgia Press
  34. Slobin, "Micromusics of the West: A Comparative Approach", Ethnomusicology, 36(1), pp.44~ (1992)
  35. Slobin, "Micromusics of the West" (1993), Wesleyan University Press
  36. Martin Stokes, "Music and the Global Order", Annual Review of Anthropology, 33, pp.50~ (2004)
  37. Daniel D. Arreola, "Hispanic American Legacy, Latino American Diaspora, In Hispanic Spaces, Latino Places: A Geography of Regional and Cultural Diversity", pp.13~35 (2004), University of Texas Press
  38. Ann V. Millard, "Apple Pie and Enchiladas : Latino Newcomers in the Rural Midwest" (2004), University of Texas Press
  39. Marcelo Orozco-Suarez, "Latinos : Remaking America" (2002), University of California Press
  40. Marcia Farr, "Rancheros in Chicagoacán : Language and Identity in a Transnational Community" (2006), University of Texas Press
  41. Smith, Heather A., "Latinos in the New South : Transformations of Place" (2006), Ashgate
  42. Barbara Ellen Smith, "'We’re here to stay’: Economic Restructuring, Latino Migration and Place-Making in the U.S. South", Transactions of the Institute of British Geographers, 33(1), pp.60~72 (2008)
  43. Altha J. Cravey, "Toque una Ranchera, Por Favor", Antipode, 35(3), pp.603~621 (2003)
  44. Heather A. Smith, "Latinos in the New South: Transformations of Place", pp.217~233
  45. David G. Gutierrez, "Migration, Emergent Ethnicity, and the “Third Space”: The Shifting Politics of Nationalism in Greater Mexico", Journal of American History, 86(2), pp.481~517 (1999)
  46. "“Global Lives, Local Struggles: Latin American Immigration to Atlanta” Southern Spaces: An Internet Journal and Scholarly Forum" (2006)[URL]
  47. Juan Carlos Mena, "Óscar Reyes, David Byrne, Sensacional! Mexican Street Graphics" (2002), Princeton Architectural
  48. Jeffrey Pilcher, "The Globalization of Mexican Cuisine", History Compass, 6(2), pp.529~551 (2008)
  49. Michael Dear, "Cultural Integration and Hybridization at the United States-Mexico Borderlands", Cahiers de Géographie du Québec, 49(138), pp.301~318 (2005)
  50. Helena Simonett, "Banda : Mexican Musical Life Across Borders" (2001), Wesleyan University Press
  51. Juan Tejeda, "Puro Conjunto!" (2001), Center for Mexican American Studies, University of Texas
  52. Manuel H., Pena, "The Texas-Mexican Conjunto: History of a Working-Class Music" (1985), University of Texas Press
  53. Manuel H., Pena, "Musica Tejana: The Cultural Economy of Artistic Transformation" (1999), Texas A&M University Press
  54. Loeffler, Jack, "La Música de Los Viejitos: Hispano Folk Music of the Río Grande del Norte" (1999), University of New Mexico Press
  55. o America, v. I, "Musical Migrations: Transnationalism and Cultural Hybridity in Latin", pp.McMillan, Frances R. Aparicho
  56. Lidia Huante, "Gritos del Alma: Mexican American Music of Washington State" (1993), WASAC
  57. Maya Lopez-Santamaria, "Musica De LA Raza: Mexican and Chicano Music in Minnesota" (1999), Minnesota Historical Society Press
  58. John Storm Roberts, "The Latin Tinge: The Impact of Latin American Music on the United States" (1998), Oxford University Press
  59. Martha I Chew Sanchez, "Corridos in Migrant Memory", pp.9~ (2006), University of New Mexico Press
  60. Sylvia Pfeiffenberger, "Immigrant Song: Raleigh’s Rey Norteño Sings One for the Road", Independent Weekly, 26 (2007)
  61. "New York Times, 6 November, 2001", ~ (2001)
  62. Dan Margolies, "Polkas, Polkas, y Mas Polkas: The Tejano Conjunto Festival en San Antonio", A Magazine Dedicated to Old Time Music, 11(3), pp.32~38 (2008)
  63. David G. LaFrance, "Charreada: Performance and Interpretation of an Equestrian Folk Tradition in Mexico and the United States, In Sport in Latin America and the Caribbean" (2002), Scholarly Resources
  64. o Communities: Politics, Processes, and Cultures, "“Haciendo Patria : the Charreada and the Formation of a Mexican Transnational Identity, In Anna Sampaio, Manolo González-Estay, Transnational Latina", pp.2002, Marta Cruz-Janzen
  65. Kathleen M Sands, "Charrería Mexicana : An Equestrian Folk Tradition" (1993), University of Arizona Press
  66. Al Rendon, "Charreada: Mexican Rodeo in Texas" (2002), University of North Texas Press
  67. "Washington Post, (Loudoun Extra), 22 June 2007", ~ (2007)
  68. Cravey, "Toque una Ranchera, Por Favor", Antipode, 35(3), pp.611~ (2003)
  69. "Los Tigres del Norte: Music With a Social Conscience" (2004)[URL]
  70. Bradley S. Tatar, "Latin American Immigrants, Identity and Nationalism in the Music of Los Tigres del Norte", Journal of Latino-Latin American Studies, 1(3), pp.33~ (2004)
  71. Beverly J. Stoeltje, "Power and the Ritual Genres: American Rodeo", Western Folklore, 52(2, pp.4) (1993), 135~156
  72. Beverly J. Stoeltje, "Rodeo: from Custom to Ritual", Western Folklore, 48, pp.244~260 (1989)
  73. Jeffrey Pilcher, "The Globalization of Mexican Cuisine", History Compass, 6(2), pp.529~551 (2008)
  74. Jeffrey Pilcher, "Tex-Mex, Cal-Mex, New Mex, or Whose Mex? Notes on the Historical Geography of Southwestern Cuisine", Journal of the Southwest, 43(4), pp.659~679 (2001)
  75. Slobin, "Micromusics of the West: A Comparative Approach", Ethnomusicology, 36(1), pp.65~66 (1992)

관련 논문AI추천

이 간행물의 다른 논문 (9건)