고대중국 여성시사에 대한 한국의 연구현황

Abstract

This study classified research on Chinese women poetry conducted in South Korea by writer, work, and anthology and the works by period. Before the 2000s, research on Chinese women poetry in Korea was begun by Cha Ju-hwan, regarding the woman writer Li Qing-zhao during the Song dynasty. As for research on the writers as the subject, Li Qing-zhao and about six other writers, i.e., Xie Dao-yun during the eastern Jin dynasty, Xue Tao and Yu Xuan-ji during the Tang dynasty, Zhu Shu-zhen and Wen Wan during the Song dynasty, Gu Zhen-li during the late Ming and early Qing dynasty. Research that focused on poems covered various periods, specifically, the Song (54 cases), Ming (43), and Tang (29) in the order, the majority of it investigated women poetry during the Song dynasty. Notably, research on poems written by Chinese women writers during the Qing dynasty from which the largest volume of works were produced is non-existent in Korea, unlike in Hong Kong, China, and Taiwan where the relevant research had been actively conducted. Also, most research on the poetry was based on articles published in periodicals and, with the exception of some master’s theses related to Li Qing-zhao and Zhu Shu-zhen, the subject has been rarely discussed in theses. Furthermore, anthology research has been also inactive. Most books were translations of anthologies of women writers and papers were limited to the significance of anthologies written by women writers only. In other words, most of the research discussed the meaning of complication or creation from the viewpoint of women’s studies rather than the artistic quality of the poems.