‘拙’을 통해 본 九拙菴 梁喜의 사유와 삶의 자세

Abstract

This thesis examines the core thoughts or rules of conduct that penetrated the life of Gujolam(九拙菴) Yang, hui(梁喜, 1515-1580). This article intends to deeply understand his thoughts and life attitude with the ‘jol(拙)’ of his dangho(堂號) ‘Gujolam(九 拙菴)’. Intellectuals in the traditional era gave their houses dangho(堂 號), and wrote down the meaning as a cautiousness. Yang, hui(梁喜) wrote down the meaning of the dangho(堂號), created it in the form of a series of poems, which is Gujolamsipyeong(九拙菴十詠)[from Yongseongsego(龍城世稿)]. He named Gujolam (九拙菴) as his dangho(堂號), and expressed its meaning in the form of poem rather than prose, and did not sing about the surrounding scenery as a series of poems, but 10 elements that define himself. This is a very unique case in terms of form and content. For example, regarding the lack of character(性拙), the disconnection from the outside due to one's innate nature eventually converges to the inside, which created a rule of conduct that regulates and cultivates oneself. Regarding the lack of appearance (貌拙), he criticized the trend of the time and argued that a quiet life was more valuable. Regarding the lack of words(言拙), while silently contemplating the world, he claimed to be a disfluency. Regarding the lack of literature(文拙), he sang about his lack of literary competence, but this point made him maintain a careful and thoughtful creative attitude. As a result, it made him compose a poem with a fresh style. In the end, which synthesized these 10 lack, it revealed the spiritual world that restores and maintains the pure and innocent human nature, while banishing the thoughts that are obsessed with outward thing and greed.