中国新戏剧的科学内蕴与舞台镜像主义
China’s New Drama’s Scientific Nature and Stage Mirror Image Doctrine
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The breakthrough of modern science and philosophy has changed the artistic direction profoundly, and then the new modes of thought drama, concentration drama and rebel drama arose spontaneously, in whose form facet was the stage mirror image doctrine of “simile interpreting everything”. From the spiritual nature, China’s new drama was the scientific spirit, moreover “May 4” made it subliming so that the drama’s directness and intuition should be showed broadly. In the reality drama and “new romanticism” modern drama, the former persisted in seeking the social life orbit or expressed colors to analyze the soul and fortune. As the most typical gesture of modern China’s new drama, the latter matched up the scientific element, arranged its own stage symbol by the visual picture, made the voice (dialogue and sound) and picture (stage settings and properties) into great harmony and mutual supplement, while the narrative procedure became the roll axle of the visual appreciation in the continuous conversion and discovery. From the 1920s to the 1940s, through excavating the intuition efficiency, there was gradually the formalism (stage mirror image doctrine), keeping pace with the poetic realism and the new romanticism, which transformed the preach political drama into the “attracting” life drama and communicated the ordinary people’s life and spirit experience strongly so as to promote the nature and flavor of the modern drama greatly.
Abstract
The breakthrough of modern science and philosophy has changed the artistic direction profoundly, and then the new modes of thought drama, concentration drama and rebel drama arose spontaneously, in whose form facet was the stage mirror image doctrine of “simile interpreting everything”. From the spiritual nature, China’s new drama was the scientific spirit, moreover “May 4” made it subliming so that the drama’s directness and intuition should be showed broadly. In the reality drama and “new romanticism” modern drama, the former persisted in seeking the social life orbit or expressed colors to analyze the soul and fortune. As the most typical gesture of modern China’s new drama, the latter matched up the scientific element, arranged its own stage symbol by the visual picture, made the voice (dialogue and sound) and picture (stage settings and properties) into great harmony and mutual supplement, while the narrative procedure became the roll axle of the visual appreciation in the continuous conversion and discovery. From the 1920s to the 1940s, through excavating the intuition efficiency, there was gradually the formalism (stage mirror image doctrine), keeping pace with the poetic realism and the new romanticism, which transformed the preach political drama into the “attracting” life drama and communicated the ordinary people’s life and spirit experience strongly so as to promote the nature and flavor of the modern drama greatly.
참고문헌 (8)
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