본문 바로가기
KERD
논문KCI 등재

원대 관우숭배와 관우 형상의 변화

Yuan dynasty GuanYu worship and change of Guanyu shape

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류중국어와문학

초록

Zaju(雜劇) is a genre representing culture during Yuan dynasty(元代) as mainstream of Chinese traditional opera and positioned as important status in Chinese traditional opera history. In particular, in case of Zaju during Yuan dynasty, a work based on historical ancient story or character as topic drew unusual popularity and at its center, ‘GuanYu(關羽)’ who was a general during ShuHan(蜀漢) was appeared. GuanYu was one of historical characters who received respect from all walks of life as well as writers of such Zaju and Chinese former dynasty regarded him as a symbol of faithfulness, bravery and a target of worship and further deified him. Particularly during Song dynasty, he was worshipped by giving him fenghao(封號). Even during Yuan dynasty followed by Song dynasty, GuanYu worshipping phenomenon was continued. Ruling class of Yuan dynasty who was originally Mongolian used GuanYu worshipping phenomenon as a means of reforming ruled class by combining it with religion (Buddhism). Ruled class also worshipped GuanYu under various private rituals and depicted him as diversified images by having him appear on Zaju stage. Zaju having GuanYu as main character is called as ‘Guanyuju(關羽劇)’ and character image of GuanYu appeared in this Guanyuju is not stereotyped and appeared in diversified images such as human being, ghost, god. In this study, GuanYu worshipping phenomenon that is creation background of Guanyuju was intended to be observed by dividing it into Yuan dynasty. In addition, exploring change of Guanyu shape.

Abstract

Zaju(雜劇) is a genre representing culture during Yuan dynasty(元代) as mainstream of Chinese traditional opera and positioned as important status in Chinese traditional opera history. In particular, in case of Zaju during Yuan dynasty, a work based on historical ancient story or character as topic drew unusual popularity and at its center, ‘GuanYu(關羽)’ who was a general during ShuHan(蜀漢) was appeared. GuanYu was one of historical characters who received respect from all walks of life as well as writers of such Zaju and Chinese former dynasty regarded him as a symbol of faithfulness, bravery and a target of worship and further deified him. Particularly during Song dynasty, he was worshipped by giving him fenghao(封號). Even during Yuan dynasty followed by Song dynasty, GuanYu worshipping phenomenon was continued. Ruling class of Yuan dynasty who was originally Mongolian used GuanYu worshipping phenomenon as a means of reforming ruled class by combining it with religion (Buddhism). Ruled class also worshipped GuanYu under various private rituals and depicted him as diversified images by having him appear on Zaju stage. Zaju having GuanYu as main character is called as ‘Guanyuju(關羽劇)’ and character image of GuanYu appeared in this Guanyuju is not stereotyped and appeared in diversified images such as human being, ghost, god. In this study, GuanYu worshipping phenomenon that is creation background of Guanyuju was intended to be observed by dividing it into Yuan dynasty. In addition, exploring change of Guanyu shape.

참고문헌 (20)

  1. 공상철, "중국, 중국인 그리고 중국문화" (2001), 다락원
  2. 김탁, "한국의 관제신앙" (2004), 선학사
  3. 顧承甫, "중국을 말한다" (2008), 신원문화사
  4. 구은아, "중국의 관공신앙 고찰 -관공신앙의 역사적 전개와 현대 관공문화를 중심으로", 동북아 문화연구, 1(30), pp.235~256 (2012), 동북아시아문화학회
  5. 김성규, "‘패장’에서 ‘武神’으로: 중국왕조에서 ‘관우 이미지’ 변천사 소고", 역사교육, (135), pp.237~277 (2015), 역사교육연구회
  6. 남덕현, "關羽 문화현상 고찰", CHINA연구, (10), pp.274~303 (2011), 중국연구소
  7. 박신영, "<<삼국연의>>의 관우형상화가 그 신격화에 끼치는 영향", 석사, 중어중문학, pp.2004
  8. 이화승, "關公信仰과 산섬상인의 발전", 동양사학연구, (112), pp.87~121 (2010), 동양사학회
  9. 차미경, "청대 관우 숭배 현상과 경극 관우극의 발전", 중국문화연구, (27), pp.339~362 (2015), 중국문화연구학회[DOI]
  10. 陳壽, "三國志, 影印本", 商務印書館
  11. "孤本元明雜劇" (1971), 臺灣商務印書館
  12. 羅貫中, "三國演義" (1984), 聯經出版社
  13. 隋樹森, "元曲選外編" (1959), 中華書局
  14. 蔡東洲, "關羽崇拜硏究" (2001), 巴蜀書社
  15. 鄭土有, "關公信仰" (1995), 學苑出版社
  16. 杜鵑, "雜劇關公戲文本的藝術形式硏究", 中北大學學報ㆍ社會科學版, (2) (2015), 中北大學經濟與管理學院
  17. 李玲瓏, "元代關羽崇拜與元雜劇中的關羽形象", 靑海師範大學民族師範學院學報, (1) (2006), 靑海師範大學人文學院
  18. 王丹, "關羽圖像形態探析", 文藝爭鳴, (22) (2010), 廣州大學美術與設計學院
  19. 劉福燕, "關公傳說視域下的關公信仰探究", 寧夏大學學報ㆍ人文社會科學版, (4) (2012), 忻州師範學院中文系
  20. 朱伟明, "關公戱與三國文化的傳播", 華中師範大學學報, (5) (2008), 人文社會科學版

관련 논문AI추천

이 간행물의 다른 논문 (21건)