虛無﹑權力意志等尼采命題;商禽詩的研究
Lai, Wood Yan: Nietzschean Proposition like Nihility and Will to Power: A Study of the Poetry of Shang Qin
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
This paper employs the philosophy of will of Nietzsche to analyze the themes concerning will, Nihilism, prison, offensiveness and sex in the poetry of Shang Qin. The theory of ascending and descending in Bachelard’s poetics of four elements (earth, water, fire and air) will be applied also. In the early works of Shang Qin,Nietzschean vocabulary like nihility, meta‐physics and will are used. Therefore,works of the thinkers who are influenced by Nietzsche like Martin Heidegger,Gilles Louis Réné Deleuze, Michel Foucault and Jacques Derrida are also referred to. The thought of Shang Qin shows a direction to return to the goodness from a total negation, which is a direction that Nietzsche opposes. Another characteristic of Shang Qin is continuous ascending. It is supposed to be related to guard standing during his service in the army
Abstract
This paper employs the philosophy of will of Nietzsche to analyze the themes concerning will, Nihilism, prison, offensiveness and sex in the poetry of Shang Qin. The theory of ascending and descending in Bachelard’s poetics of four elements (earth, water, fire and air) will be applied also. In the early works of Shang Qin,Nietzschean vocabulary like nihility, meta‐physics and will are used. Therefore,works of the thinkers who are influenced by Nietzsche like Martin Heidegger,Gilles Louis Réné Deleuze, Michel Foucault and Jacques Derrida are also referred to. The thought of Shang Qin shows a direction to return to the goodness from a total negation, which is a direction that Nietzsche opposes. Another characteristic of Shang Qin is continuous ascending. It is supposed to be related to guard standing during his service in the army
참고문헌 (57)
- 鮑邁斯特爾, "《惡──在人類暴力與殘酷之中》(Evil:Inside Human Violence and Cruelty )," (1998), 東方出版社
- 巴什拉, "水的夢" (2005), 嶽麓書社
- "夢想的詩學" (1996), 生活ㆍ讀書ㆍ新知三聯書店
- 陳鴻森, "變調之鳥: 商禽詩集《夢或者黎明", pp.77~81 (1972), 笠
- 陳敏思, "商禽詩中死亡意象的分析", pp.2~7 (1987), 現代詩
- 陳啟佑, "商禽的悼亡詩,渡也論新詩", pp.181~187 (1983), 黎明文化事業股份有限公司
- "渡也論新詩", pp.185~187 (1983), 黎明文化事業股份有限公司
- 戴斯蒙德, "重新思考起源: 尼采和黑格爾", 田立年譯
- "尼采與古典傳統續編", pp.318~349 (2008), 華東師範大學出版社
- 德勒茲, "尼采與哲學" (2001), 社會科學文獻出版社
- 胡錦媛, "誰來鑑照淚珠? 讀商禽的詩集《夢或者黎明》", pp.48~50 (1976), 書評書自
- 繼英, "世界華文詩歌鑒賞文辭典", pp.239~240 (1993), 書海出版社
- 季紅, "析論商禽的無言的衣裳", pp.13~21 (1983), 現代詩
- 卡瓦拉羅, "文化理論關鍵詞", pp.139~149 (2006), 江蘇人民出版社
- 努斯鮑姆, "醉之變形: 尼采﹑叔本華和狄儀尼索斯", pp.445~488, 劉小楓
- 李翠瑛, "龍蛇變化,不可端倪──商禽《逃亡的天空》的意象世界〉《細讀新詩的掌紋》,", pp.139~147 (2006), 萬卷樓圖書股份有限公司
- "五官的遐想──談商禽的《五官素描》一詩", pp.149~157, 細讀新詩的掌紋
- "瞻望歲月的容顏: 商禽散文詩〈長頸鹿〉的意涵", pp.159~166, 細讀新詩的掌紋
- 李英豪, "〈變調的鳥: 論商禽的詩〉《批評的視覺", pp.189~197 (1966), 文星書店
- 柳文哲, "笠下影── 商禽", pp.21~23 (1970), 笠
- 劉正忠, "軍旅詩人的疏離心熊-以五六十年代的洛夫、商禽、瘂弦為主", pp.113~156 (2001), 臺灣文學學報
- 呂正惠, "商禽詩兩首賞析", pp.204~211 (1980), 討論〈長頸 鹿〉﹑〈鴿子>
- 羅青, "論商禽的「鴿子", pp.68~76 (1975), 書評書目
- 莫文征, "中國新詩名篇鑑賞辭典", pp.702~703 (1990), 四川辭典出版社
- "台灣新詩鑑賞辭典", pp.396~398 (1991), 北獄文藝出版社
- 穆維爾, "〈視覺快感與敘事性電影〉(“Visual Pleasure and Narrative Cinema”),周傳基譯,《外國電影理論文選》,", pp.637~653 (2006), 三聯書店
- 蓉子, "〈《眉》〉《青少年詩國之旅", pp.113~114 (1990), 業強出版社
- 商瑜容, "商禽詩作的意象表現", pp.41~60 (2003), 台灣詩學
- 須文蔚記錄, "商禽與孟樊——現代詩創作與理論的鴻溝", pp.51~60 (1996), 創世紀詩雜誌
- 王偉明, "〈讓火把成不褪的回憶——商禽答客問〉,《詩人密語》", pp.161~170 (2004), 瑋業出版社
- 王小琳, "商禽的《無言的衣裳", pp.94~97 (1993), 創世紀
- 翁文嫻, "新詩語言結構的傳承和變形〉,《成大中文學報", pp.179~197 (2006), 活仁案重點分析散文詩〈溫暖的黑暗
- "商禽——包裹奇思的現實性份量", pp.116~128 (2006), 當代詩學
- 吳當, "在散文與詩中漫步──讀《商禽世紀詩選》《兩棵詩樹》", pp.47~56 (2001), 爾雅出版社有限公司
- 奚密, "邊緣﹑前衛﹑超現實——對台灣五﹑六十年代現代主義的反思〉《現當代詩文錄》,", pp.155~179 (1998), 聯合文學出版有限公司
- 蕭蕭, "商禽: 超現實主義的穿透美學〉,《超現實主義美學》,《台灣新詩美學》", pp.35~79 (2004), 爾雅出版社有限公司
- "現代詩縱橫觀", pp.77~ (1991), 文史哲
- 辛鬱, "台灣新詩鑑賞辭典", pp.404~405 (1991), 北獄文藝出版社
- "商禽的《夢或者黎明", pp.181~183 (1985), 文訊月刊
- 許悔之, "人的壓力: 讀商禽「用腳思想」", pp.47~48 (1990), 文訊
- 徐佩雄, "〈逃亡的天空〉,《世界華文詩歌鑒賞文辭典", pp.237~238 (1993), 書海出版社
- 他的詩, "台灣文學經典研討會論文集", pp.24~59 (1999), 聯經出版事業公司
- "六十年代詩選", pp.124~126 (1961), 大業書店
- 楊昌年, "新詩賞析", pp.378~ (1982), 文史哲出版社
- 楊牧, "詩話商禽", pp.50~51 (1973), 中外文學》2.6
- 于江慈, "逃亡的天空,台灣新詩鑑賞辭典", pp.398~400 (1991), 北獄文藝出版社
- 余欣娟, "一九六○年代台灣超現實詩──以洛夫、弦、商禽為主" (2003), 東海大學
- 宇珍, "月亮和老鄉,台灣新詩鑑賞辭典", pp.402~403 (1991), 北獄文藝出版社
- 珍爾, "無言的衣裳,台灣新詩鑑賞辭典", pp.405~407 (1991), 北獄文藝出版社
- 珍爾, "躍場", pp.400~401, 陶本一
- 珍爾, "鴿子", pp.407~409, 陶本一
- 趙衛民, "商禽的夢與變形,新詩啟蒙", pp.163~645 (2003), 業強出版社
- 張漢良, "從戲劇的詩到詩的戲鸝──兼論台灣的詩劇創作", pp.74~90 (1975), 創世紀
- "中國現代詩之「超現實主義風潮」,《當代台灣文學評論大系》", pp.277~296 (1993), 正中書局
- 張默, "商禽: 我吻過你峽中之長髮,夢從樺樹上跌下來: 詩壇鉤沉筆記", pp.96~108 (1998), 爾雅出版社有限公司
- 〈眉〉,小說選讀, "商禽", pp.1987
- 紫鵑, "玫瑰路上的詩人──詩人商禽訪談錄", pp.6~14 (2006), 乾坤
