现代庄子的凯旋— 论高行健的大逍遥精神
The triumph of a modern Zhuangzi
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper argues that Gao Xingjian, the 2000 Nobel Prize laureate in literature, has brought Zhuangzi’s spirit of absolute liberation and freedom to the highest level by writing the novel Soul Mountain and the poem “As Free as Bird.” Gao Xingjian insinuates that the soul mountain is not external, but internal. Only through inner awakening can one find the soul mountain. That is to say, freedom is not bestowed by others, but is self-given. Freedom hides in everyone’s heart and only by relying on oneself can it be discovered. Gao Xingjian’s spirit of self-salvation is deeply linked with Zhuangzi’s spirit. Not only does Gao Xingjian go back to nature, like other contemporary writers such as Han Shaogong, Ah Cheng, and Yan Lianke, he also re-creates a nature, and realizes that literature carries the possibility of recreating such a nature. In reality there is no freedom: only in the field of literature can writers transcend all kinds of restrictions, and gain the life of spontaneity, freedom, and joy. Therefore, Gao Xingjian’s triumph is the triumph of a modern Zhuangzi.
Abstract
This paper argues that Gao Xingjian, the 2000 Nobel Prize laureate in literature, has brought Zhuangzi’s spirit of absolute liberation and freedom to the highest level by writing the novel Soul Mountain and the poem “As Free as Bird.” Gao Xingjian insinuates that the soul mountain is not external, but internal. Only through inner awakening can one find the soul mountain. That is to say, freedom is not bestowed by others, but is self-given. Freedom hides in everyone’s heart and only by relying on oneself can it be discovered. Gao Xingjian’s spirit of self-salvation is deeply linked with Zhuangzi’s spirit. Not only does Gao Xingjian go back to nature, like other contemporary writers such as Han Shaogong, Ah Cheng, and Yan Lianke, he also re-creates a nature, and realizes that literature carries the possibility of recreating such a nature. In reality there is no freedom: only in the field of literature can writers transcend all kinds of restrictions, and gain the life of spontaneity, freedom, and joy. Therefore, Gao Xingjian’s triumph is the triumph of a modern Zhuangzi.
참고문헌 (11)
- 高行健, "灵山" (2000), 天地
- 高行健, "没有主义" (2001), 联经
- 高行健, "另一种美学" (2001), 联经
- 高行健, "自由与文学", 德国爱尔兰根国际人文中心，高行健学术研讨会：Gao Xingjian: Freedom, Fate, and Prognostication (2011), University of Erlangen
- 高行健, "高行健诗歌集" (2012), 联经
- 刘再复, "高行健论" (2004), 联经
- 刘再复, "高行健的自由原理", 德国爱尔兰根国际人文中心，高行健学术研讨会：Gao Xingjian: Freedom, Fate, and Prognostication (2011), University of Erlangen
- 林岗, "通往自由的美学", 德国爱尔兰根国际人文中心，高行健学术研讨会：Gao Xingjian: Freedom, Fate, and Prognostication (2011), University of Erlangen
- 钱穆, "庄老通辩" (2002), 三联书店
- 徐复观, "中国艺术精神" (2001), 华东师范大学出版社
- 张寅德, "高行健之逍遥：《山海经》与《逍遥如鸟》浅论", 德国爱尔兰根国际人文中心，高行健学术研讨会：Gao Xingjian: Freedom, Fate, and Prognostication (2011), University of Erlangen