周邦彦词的时间表现
The Technique of Time in Zhou bangyan Ci (词)
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper examines temporal expressions in Zhou bangyan ci (词). The time-element in ci is of major importance, that in a large measure it determines the basic background and the structure of the ci, and at times, of curse, it itself could be a main subject of the text. The way the author arranges the time-element also has a significant impact on the way of describing certain emotion, which is widely considered as the typical feature of the ci genre. The purpose of this paper is to show the feature of time expression in Zhou bangyan ci, specially paying close attention to the stories told in text. The paper analyzes the main temporal characters used in Zhou bangyan ci, and how the whole technique of time expression is involved with the narrative feature. Zhou bangyan takes the methods of crossing of the dimensions of time, jumping time line, and through the way of overlapping and leaping between the reality and imaginary, ultimately forms the text in which the past-present-future time coexist together.
Abstract
This paper examines temporal expressions in Zhou bangyan ci (词). The time-element in ci is of major importance, that in a large measure it determines the basic background and the structure of the ci, and at times, of curse, it itself could be a main subject of the text. The way the author arranges the time-element also has a significant impact on the way of describing certain emotion, which is widely considered as the typical feature of the ci genre. The purpose of this paper is to show the feature of time expression in Zhou bangyan ci, specially paying close attention to the stories told in text. The paper analyzes the main temporal characters used in Zhou bangyan ci, and how the whole technique of time expression is involved with the narrative feature. Zhou bangyan takes the methods of crossing of the dimensions of time, jumping time line, and through the way of overlapping and leaping between the reality and imaginary, ultimately forms the text in which the past-present-future time coexist together.
참고문헌 (18)
- 周邦彦, "清真集校注" (2007), 中华书局
- 周邦彦, "周邦彦清真集校" (2008), 上海古籍出版社
- 周邦彦, "周邦彦词新释辑评" (2006), 中华书局
- 唐奎璋, "全宋词" (2009), 中华书局
- 唐奎璋, "词话丛编" (2005), 中华书局
- 唐奎璋, "唐宋词简释" (2010), 人民文学出版社
- 吴熊和, "唐宋词汇评 两宋卷" (2004), 浙江出版神
- 贺新辉, "宋词鉴赏辞典" (1987), 北京燕山出版社
- 中国社会科学院语言研究所词典编辑室, "现代汉语词典" (2012), 商务印书馆
- 吴世昌, "吴世昌全集" (2003), 河北教育出版社
- 吴世昌, "词林新话" (2000), 北京出版社
- 俞平伯, "俞平伯自选集" (2008), 首都师范大学出版社
- 叶嘉莹, "唐宋词十七讲" (2007), 北京大学出版社
- 董乃斌, "中国文学叙事传统研究" (2012), 中华书局
- 美H, "剑桥叙事学导论" (2007), 北京大学出版社
- 施议对, "吴世昌与词体结构论", 文学遗产, (1) (2002)
- 张海鸥, "论词的叙事性", 中国社会科学, (2) (2004)
- 이은주, "论柳永、周邦彦羁旅词的时空结构及抒情模式", 한중언어문화연구, (37), pp.201~227 (2015), 한국중국언어문화연구회
