영화공간의 장면과 서사의 상관성 -영화 “내 꿈은 컬러꿈”을 중심으로-

Abstract

(Background and Purpose)Movies are made based on narrative structure linking the cause of an event and the process arising from the cause, and the results. The narrative is visually described as the actions of the characters and spatial elements are interconnected in the space where the events occur. Therefore, examination of the visualization of the movie space will be the first step for interpreting the narrative. The purpose of this study was to discuss the intention of directing and visualization methods working in conjunction with the narrative situation so as to present the correlation among visuality, scene, and narrative in the movie space. (Method)First, the theory of movie visualization and narrative structure were examined. Second, we examined the time and space of subordinated events along with the composition of the narrative, and the location and scene of the events. Third, main scenes in two short movies were segmented and analyzed according to the narrative. Fourth, based on the analysis results, the correlation between scenes in movie space and narrative was presented. (Results)First, the movie space is created with technical composition of connotation of meaning. As the technical characteristics, the scenes of movie space can reveal the behavior and psychological state of characters through elaborate composition. Second, symbols connected to narrative context are arranged in movie space. Symbols corresponding to the theme of movie can be directly involved in the narrative and lead the context of the narrative. Third, the place for assigning certain meaning connected with characters appears in the movie space. The space defined for characters turns into a place of special meaning through the narrative situation specific event and the process of psychological variation. (Conclusions)The movie space serves as a device that leads the narrative and assures the probability of narrative. The realization of meaning inherent in the narrative occurs in the space, which is explained as the concept of scene according to the visualization of components. Visual objects and perceptual elements of space are arranged in the scene to express the whole narrative or the inner side of e character. As a result, the results of study were derived that the whole space in the movie cannot but be bound with the dimension of the perceived scene. Accordingly, it raises the need for research on the spatial composition and the space that extends to scenes, and this researcher hopes that succeeding studies would investigate the movie space and scenes in the period ahead.