에코셰익스피어: 날씨와 기후, 셰익스피어의 하늘 읽기
Eco-Shakespeare: Weather, Climate and Shakespeare's Sky
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생태비평의 새로운 지평선이 열린 20세기 말부터 작가들은 하늘과의 일상적인 접촉으로 촉발된 감정과 생각의 다양한 표현에 주목하기 시작했다. 이 논문의 제목에 드러난‘하늘’은 그 자체가 아니라 마음과 문화적 표현, 즉 하늘이 주어진 맥락에서 해석되는 방식에 초점을 맞춘다. 초기 기상학적 사상은 구체적인 담론과 사고 구조를 반영하기 때문에 연구할 가치가 있다고 주장되었다. 이 논문은 초기 영국 드라마에서 나타나는 기후 문제의 유행을 소개하고, 날씨와 기후라는 두 가지 주제를 통해 초기 현대 연극에 대한 현대 비평가들의 새로운 생태학적 관점에 대한 접근을 바탕으로 셰익스피어의 작품을 통해 기후와 관련된 현실 세계의 다양한 표현을 조명한다. 그리고 근대 초기 영국, 소위 소빙하기의 다양한 접근법과 맥락, 특징 그리고 기상학, 점성술, 우주론과 관련된 하늘의 문제들이 셰익스피어의 작품에서 어떻게 극화되는지 살펴볼 것이다.
Abstract
Since the end of the 20th century, when a new horizon of ecological criticism was opened, writers have begun to pay attention to the various expressions of emotions and thoughts triggered by daily contact with the sky. The 'sky' revealed in the title of this paper focuses not on itself, but on mind and cultural expressions, that is, the way in which the sky is interpreted in a given context. It was argued that early meteorological ideas were worth studying because they reflected specific discourses and structures of thought. This paper introduces the prevalence of climate issues in early modern British dramas and sheds light on various expressions of the real world related to climate through Shakespeare's work, based on modern critics' approach to new ecological perspectives on early modern theater through two themes, weather and climate. And I will look at the various approaches, contexts, and characteristics of the so-called Little Ice Age in early modern England, and how the issues of the sky related to meteorology, astrology and cosmology are dramatized in Shakespeare's works.
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