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「마을에서」에 나타난 엘리자베스 비숍의 애도작업

Elizabeth Bishop's “In the Village” as a Work of Mourning

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Elizabeth Bishop had an extremely unhappy childhood, to quote her, "almost good enough for the text-books": Her father died of a disease when she was eight months old and her mother was in and out of mental institutions for the next five years and eventually was committed to Nova Scotia Hospital in 1916. Her mother died in 1934 after she spent eighteen years in the hospital without ever seeing her daughter. Despite her bitter experience, Bishop neither immersed or indulged in self-pity nor tried to make too much of it. Then, it is extraordinary that she decided to write "In the Village" in which she spelled out for the first time in decades what she had gone through regarding her disoriented mother. The story therefore can be read as a work of mourning in which Bishop finally tried to come to terms with the painful past: insanity, loss, death of her mother. She mourns her mother by reviewing, to use Freud's phrase, "each single one of the memories and expectations in which the libido is bound to" her mother. It is somewhat ambiguous and uncertain whether she succeeds in mourning, but it doesn't diminish the importance of the fact that she attempted to confront pain and suffering decades after her mother's disappearance from her life. This paper is an attempt to read the story as a "work of mourning" which can be, to quote Freud, "extraordinarily painful."

Abstract

Elizabeth Bishop had an extremely unhappy childhood, to quote her, "almost good enough for the text-books": Her father died of a disease when she was eight months old and her mother was in and out of mental institutions for the next five years and eventually was committed to Nova Scotia Hospital in 1916. Her mother died in 1934 after she spent eighteen years in the hospital without ever seeing her daughter. Despite her bitter experience, Bishop neither immersed or indulged in self-pity nor tried to make too much of it. Then, it is extraordinary that she decided to write "In the Village" in which she spelled out for the first time in decades what she had gone through regarding her disoriented mother. The story therefore can be read as a work of mourning in which Bishop finally tried to come to terms with the painful past: insanity, loss, death of her mother. She mourns her mother by reviewing, to use Freud's phrase, "each single one of the memories and expectations in which the libido is bound to" her mother. It is somewhat ambiguous and uncertain whether she succeeds in mourning, but it doesn't diminish the importance of the fact that she attempted to confront pain and suffering decades after her mother's disappearance from her life. This paper is an attempt to read the story as a "work of mourning" which can be, to quote Freud, "extraordinarily painful."

참고문헌 (25)

  1. Abraham, Nicolas, "The Shell and the Kernel" (1994), U of Chicago P
  2. Axelrod, Steven Gould, "Elizabeth Bishop: Nova Scotia in Brazil", Papers on Language and Literature, 37(3), pp.279~295 (2001)
  3. Bishop, Elizabeth, "In the Village, In Bishop: Poems, Prose, and Letters", pp.99~118 (2008), The Library of America
  4. Bishop, Elizabeth, "Sestina, In Bishop: Poems, Prose, and Letters", pp.120~121 (2008), The Library of America
  5. Bishop, Elizabeth, "Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell" (2010), Farrar, Straus and Giroux
  6. Caruth, Cathy, "Unclaimed Experience: Trauma, Narrative, and History" (1996), Johns Hopkins UP
  7. Costello, Bonnie, "Elizabeth Bishop: Questions of Mastery" (1991), Harvard UP
  8. Derrida, Jacques, "MEMOIRES for Paul de Man" (1989), Columbia UP
  9. Doreski, C.K, "Elizabeth Bishop: The Restraints of Language" (1993), Oxford UP
  10. Fountain, Gary, "Remembering Elizabeth Bishop: An Oral Biography" (1994), U of Massachusetts P
  11. Freud, Sigmund, "The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 14" (1973), Hogarth
  12. Freud, Sigmund, "The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 18" (1973), Hogarth
  13. Furlani, Andre, "Elizabeth Bishop's Stories of Childhood: Writing the Disaster", Critique, 43(2), pp.148~160 (2002)
  14. Giroux, Robert, "Introduction, In One Art: Letters. Elizabeth Bishop", pp.viii~xxii (1994), Farrar, Straus and Giroux
  15. Green, Fiona, "Elizabeth Bishop's 'In the Village' in the New Yorker", Critical Quarterly, 52(2), pp.29~46 (2010)
  16. Harrison, Victoria, "Elizabeth Bishop's Poetics of Intimacy" (1993), Cambridge UP
  17. Heaney, Seamus, "Counting to a Hundred: On Elizabeth Bishop, In The Redress of Poetry", pp.164~185 (1995), Farrar, Straus and Giroux
  18. Kalstone, David, "Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Bishop" (1989), Hogarth P
  19. Lowell, Robert, "The Scream (derived from Elizabeth Bishop's story In the Village, In For the Union Dead", pp.12~13 (1964), Farrar, Straus and Giroux
  20. McCabe, Susan, "Elizabeth Bishop: Her Poetics of Loss" (1994), Pennsylvania State UP
  21. Millier, Brett C, "Elizabeth Bishop: Life and the Memory of It" (1993), U of California P
  22. Riviere, Joan, "A Character Trait of Freud's, In Psychoanalysis and Contemporary Thought", pp.145~149 (1958), Hogarth
  23. Spires, Elizabeth, "The Art of Poetry, XXVII: Elizabeth Bishop, In Conversations with Elizabeth Bishop", pp.114~132 (1996), UP of Mississippi
  24. Stevenson, Anne, "Five Looks at Elizabeth Bishop" (2006), Bloodaxe Books
  25. Travisano, Thomas J, "Elizabeth Bishop: Her Artistic Development" (1988), Charlottesville

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