포스트휴먼 시대의 기술 윤리학적 비전: 리처드 파워즈의 『이득』
The Vision of Technoethics in Posthuman Age: Richard Powers’s Gain
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper aims to point out the excessiveness of the corporation and to suggest the technoethics in posthuman age through the restoration of humanity and body, investigating the inverse proportional relationship between corporate body and corporeal body in Richard Powers’s Gain. Looking into the sovereign subjectivity of corporation, Powers proposes that humans should have the subjective responsibility for the prospect of posthuman material ecocriticism and biopolitics. Gain reveals the fictional aspects of the corporation as a legal person, analyzing the history of corporation in USA. Gain traces the history of multinational corporation, Clare Soap & Pharmaceutical Co., as Clare grows from the family business to the limited liability corporation. Laura Bodey, forty two-aged realtor, living in the vicinity of Clare Agricultural Chemical division at Lacewood, Illinois is diagnosed as having an ovarian cancer. Powers warns that the corporate capitalism can be a cancer. Laura Bodey’s struggles with cancer is duplicated with the rise of Clare. Laura’s body is invaded by the toxicity of Clare products. The Clare chemicals contaminate Laura’s body/system and transform her immune system. Powers describes America as a collective corporation rather than a nation. In conclusion, Powers proposes to search the vital sustainability and the correlative enhancement with human and technology in the viewpoint of posthuman ecocriticism, getting out of the ruthless domination of multinational corporation and the powerlessness of human beings in global networked world. Gain emphasizes the vibrancy of life forms in the continuum, pursuing the post-anthropocentrism, hybridity, and heterogeneity with multi-species.
Abstract
This paper aims to point out the excessiveness of the corporation and to suggest the technoethics in posthuman age through the restoration of humanity and body, investigating the inverse proportional relationship between corporate body and corporeal body in Richard Powers’s Gain. Looking into the sovereign subjectivity of corporation, Powers proposes that humans should have the subjective responsibility for the prospect of posthuman material ecocriticism and biopolitics. Gain reveals the fictional aspects of the corporation as a legal person, analyzing the history of corporation in USA. Gain traces the history of multinational corporation, Clare Soap & Pharmaceutical Co., as Clare grows from the family business to the limited liability corporation. Laura Bodey, forty two-aged realtor, living in the vicinity of Clare Agricultural Chemical division at Lacewood, Illinois is diagnosed as having an ovarian cancer. Powers warns that the corporate capitalism can be a cancer. Laura Bodey’s struggles with cancer is duplicated with the rise of Clare. Laura’s body is invaded by the toxicity of Clare products. The Clare chemicals contaminate Laura’s body/system and transform her immune system. Powers describes America as a collective corporation rather than a nation. In conclusion, Powers proposes to search the vital sustainability and the correlative enhancement with human and technology in the viewpoint of posthuman ecocriticism, getting out of the ruthless domination of multinational corporation and the powerlessness of human beings in global networked world. Gain emphasizes the vibrancy of life forms in the continuum, pursuing the post-anthropocentrism, hybridity, and heterogeneity with multi-species.
참고문헌 (20)
- Barad, Karen, "Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning" (2007), Duke UP
- Bennett, Jane, "Vibrant Matter: A Political Ecology of Things" (2010), Duke UP
- Buell, Lawrence, "Writing for an Engendered World: Literature, Culture, and Environment in the U.S. and Beyond" (1995), Harvard UP
- Brooks, Ryan. M., "‘Clean Hands’: Post-Political Form in Richard Powers's Gain", Twentieth-Century Literature, 59(3), pp.441~464 (2013)
- Carson, Rachel, "Silent Spring" (1962), Houghton Mifflin
- Clare, Ralph, "Your Loss Is Their Gain: The Corporate Body and the Corporeal Body in Richard Powers’s Gain", Critique, 54, pp.28~45 (2013)[DOI]
- Dewey, Joseph, "Understanding Richard Powers", pp.110~129 (2002), U of South Carolina P
- Esposito, Roberto, "Bios: Biopolitics and Philosophy" (2008), U of Minnesota P
- Foucault, Michel, "Lectures at the College de France, 1975-1976" (1976), Picador
- Hayles, N. Katherine, "Unfinished Work: From Cyborg to Cognisphere", Theory, Culture & Society, 23(7-8), pp.159~166 (2006)
- Haraway, Donna, "When Species Meet" (2008), U of Minneapolis P
- Harris, Charles B., "‘The Stereo View’: Politics and the Role of the Reader in Gain", Review of Contemporary Fiction, 18(3), pp.97~108 (1998)
- Heise, Ursula K., "Sense of Place and Sense of Planet: The environmental Imagination of the Global", pp.160~177 (2008), Oxford UP
- Lautour, Bruno, "We Have Never Been Modern" (1993), Harvard UP
- Lemke, Thomas, "BioPolitics: An Advanced Introduction" (2011), NYU Press
- and Richard Powers’ Gain, "Journal Medical Humanities", 2002, 4), pp.203~219
- Maliszewski, Paul, "Intersections: Essays on Richard Powers", pp.162~186 (2008), Dalkey Archive P
- Oppermann, Serpil, "Handbook of Ecocriticism and Cultural Ecology", pp.273~294 (2016), De Gruyter
- Powers, Richard, "Gain" (1998), Picador
- Woods, Derek, "Corporate Chemistry: A Biopolitics of Environment in Rachel Carson's Silent Spring and Richard Powers's Gain", American Literary History, 29(1), pp.72~99 (2017)
