80년대 영국 유색인종 문학의 정체성: 하니프 쿠레이쉬의 도시 교외의 부처
Black British Immigrants’ Identity in the 1980s in Hanif Kureishi’s The Buddha of Suburbia
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Abstract
Dauk-Suhn HongThis essay seeks to trace Hanif Kureishi's attempt at negotiating the ethnic marker for the formation of an immigrant's identity in his first novel, The Buddha of Suburbia. Ethnicity remains of importance to the hero of the novel, but there is always something that tells its hero's ambivalent relationship to his own ethnic background. The strategy to find his ethnic affiliation is the process of externalization of his identity through theatrical performance of "playing not-me." In the conventional Bildungsroman, the protagonist Karim has performed the action of identity shift from one position to the other in order to come to terms with his ethnicity and its implication for his position in society. The symbolic examples of this performance of identity are evident in the transformations undertaken by Haroon and Changez. This novel emphasizes the significance of the protagonist's own positioning and affiliation in spite of the external pressures which seek to determine him.
참고문헌 (12)
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