Chuck Palahniuk’s Grotesque Violence: Self-Destruction and Postmodern Epistemology in Fight Club
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The violence in Fight Club has received critical attention from scholars such as Alex Tuss, Kevin Alexander Boone, and James R. Giles. Their work has shed considerable light on the brutality in Palahniuk’s most famous text. Tuss and Boone have convincingly argued that the absence of a stable father figure bears heavily on the novel’s bloodiness, while Giles has demonstrated how the extreme violence relates to gender and space. Yet something more remains to be said, because the astounding spectacles of violence in Palahniuk’s work are shocking not only in their quantity, but also in their quality. His novels are not simply violent, but are also violent in exceptionally bizarre ways. Characters throughout Palahniuk’s oeuvre engage in what this study refers to as grotesque violence, which is often self-directed, ritualistic, pre-meditated, and misdirected. This study explores the grotesque violence in Palahniuk’s most important novel, Fight Club, and offers illumination of this text through the analysis of the dynamic intersections between knowledge and violence.
Abstract
The violence in Fight Club has received critical attention from scholars such as Alex Tuss, Kevin Alexander Boone, and James R. Giles. Their work has shed considerable light on the brutality in Palahniuk’s most famous text. Tuss and Boone have convincingly argued that the absence of a stable father figure bears heavily on the novel’s bloodiness, while Giles has demonstrated how the extreme violence relates to gender and space. Yet something more remains to be said, because the astounding spectacles of violence in Palahniuk’s work are shocking not only in their quantity, but also in their quality. His novels are not simply violent, but are also violent in exceptionally bizarre ways. Characters throughout Palahniuk’s oeuvre engage in what this study refers to as grotesque violence, which is often self-directed, ritualistic, pre-meditated, and misdirected. This study explores the grotesque violence in Palahniuk’s most important novel, Fight Club, and offers illumination of this text through the analysis of the dynamic intersections between knowledge and violence.
참고문헌 (23)
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