본문 바로가기
KERD
논문KCI 등재

돈 드릴로의 『떨어지는 남자』: 외상의 행동화와 정면통과

Working through and Acting out Trauma in Don DeLillo's Falling Man

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류영어와문학

초록

Don DeLillo's Falling Man traces how the terrorists' attack on the World Trade Center on September 11, 2001 has changed Keith and his family afterwards. The title, 'Falling Man', is named after a performance artist who unexpectedly jumps from high buildings around New York city. It reminds people of the horrible 9/11 traumatic event where many people trapped in the Twin Towers were forced to fall from high windows. At the same time, 'Falling Man' symbolizes survivors like Keith who cannot but compulsively repeat the traumatic experiences and who remains still in the course of falling. Keith is isolated from the world and has no interest in the outside world. Finally he indulges himself in the poker game, through which he only acts out the traumatic experience. On the other hand, his wife Lianne becomes vicariously traumatized by seeing the survival of Keith from Ground Zero and by being exposed to terrible scenes relayed by TV. While Keith appears to be in emotional numbing, Lianne responds hypersensitively to the event by looking for the signs of past and future terror. She gradually works through the trauma after seeing the performance of 'Falling Man'. Falling Man's performance testifies the falling men that day. That is, he transmits the knowledge of the falling men who disappeared by the half-imposed and self-imposed restriction not to circulate the horrible image. He asks the spectators to bear witness to and take a ethical responsibility to falling men. After seeing the second performance, Lianne privately associates her husband's friend who died on 9/11 with the falling men and tries to reconstruct the symbolic cracked by the event to make various voices be heard.

Abstract

Don DeLillo's Falling Man traces how the terrorists' attack on the World Trade Center on September 11, 2001 has changed Keith and his family afterwards. The title, 'Falling Man', is named after a performance artist who unexpectedly jumps from high buildings around New York city. It reminds people of the horrible 9/11 traumatic event where many people trapped in the Twin Towers were forced to fall from high windows. At the same time, 'Falling Man' symbolizes survivors like Keith who cannot but compulsively repeat the traumatic experiences and who remains still in the course of falling. Keith is isolated from the world and has no interest in the outside world. Finally he indulges himself in the poker game, through which he only acts out the traumatic experience. On the other hand, his wife Lianne becomes vicariously traumatized by seeing the survival of Keith from Ground Zero and by being exposed to terrible scenes relayed by TV. While Keith appears to be in emotional numbing, Lianne responds hypersensitively to the event by looking for the signs of past and future terror. She gradually works through the trauma after seeing the performance of 'Falling Man'. Falling Man's performance testifies the falling men that day. That is, he transmits the knowledge of the falling men who disappeared by the half-imposed and self-imposed restriction not to circulate the horrible image. He asks the spectators to bear witness to and take a ethical responsibility to falling men. After seeing the second performance, Lianne privately associates her husband's friend who died on 9/11 with the falling men and tries to reconstruct the symbolic cracked by the event to make various voices be heard.

참고문헌 (20)

  1. 주디스 허먼, "트라우마" (1997), 플래닛
  2. Caruth, Cathy, "Unclaimed Experience: Trauma, Narrative, and History" (1995), Johns Hopkins UP
  3. DeLillo, Don, "Falling Man" (2007), Scribner
  4. Derrida, Jacques, "The Beast & the Sovereign" (2009), The University of Chicago Press
  5. Erikson, Kai, "Notes on Trauma and Community. in : Trauma: Explorations in Memory" (1995)
  6. Freud, Sigmund, "Beyond the Pleasure Principle. in : The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 18", pp.7~64 (1955), Hogarth P
  7. 11's Falling Bodies. in : Literature after 9, "Still Life: 9", pp.Routledge, 11
  8. Janoff-Bulman, "Shattered Assumptions: Towards a New Psychology of Trauma" (1992), The Free Press
  9. "The Falling Man" (2003)[URL]
  10. Kaplan, E. Ann, "Trauma Culture: The Politics of Terror and Loss in Media and Literature" (2005), Rutgers UP
  11. Kaufman, Linda S., "World Trauma Center. in : American Literary History", pp.647~659 (2009), Oxford UP
  12. LaCapra, Dominick, "Writing History, Writing Trauma" (2001), Johns Hopkins UP
  13. LaCapra, Dominick, "History in Transit: Experience, Identity, Critical Theory" (2004), Cornell UP
  14. Muller, Christine, "Fate and Terror in Don DeLillo's Falling Man. in : Engaging Terror", pp.167~173 (2009), Brown Walker Press
  15. Norton, Charley, "Terror as Text: DeLillo's Falling Man and the Representation of Poker as Terror. in : Engaging Terror", pp.175~184 (2009), Brown Walker Press
  16. "Falling Man by Don DeLillo" (2007)[URL]
  17. 11: The Culture of Commemoration, "9", pp.2006, Simpson, David
  18. Taylor, Diana, "The Archive and the Repertoire: Performing Cultural Memory in the Americas" (2003), Duke UP
  19. Vickroy, Laurie, "Trauma and Survival in Contemporary Fiction" (2002), UP of Virginia
  20. Whitehead, Anne, "Trauma Fiction" (2004), Edinburgh UP

관련 논문AI추천

이 간행물의 다른 논문 (10건)