픽처레스크 미의 관점에서 바라본 18세기말의 음악: 하이든의 후기작품을 중심으로
The Picturesque Beauty and the late Eighteenth-Century Music: the Significance of Joseph Haydn’s English Sonatas and The Creation
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This paper purposes to attempt a new description of music through seeing and listening to the ‘nature’, the main motto of the eighteenth century. First, I try to find the common ground from both fields of garden and music in terms of ‘landscape’ and ‘soundscape’, resulting in the definition of landscape for listening not for seeing. The music of the early eighteenth-century England can be considered as emblematical, while the music of the mid eighteenth-century England as naturalistic. Further, this paper attempts to view a new change of late eighteenth-century music in view point of picturesque. This paper introduces picturesque taste emerged in the mid eighteenth century, introducing William Gilpin's use of the term. Gilpin's picturesque garden theory emphasized on ‘variety’ in composition of landscape; and his garden chooses to cooperate artificial elements into pure nature. And this paper redefines the meaning and function of music as comtemporary social and cultural phenomenon.
Abstract
This paper purposes to attempt a new description of music through seeing and listening to the ‘nature’, the main motto of the eighteenth century. First, I try to find the common ground from both fields of garden and music in terms of ‘landscape’ and ‘soundscape’, resulting in the definition of landscape for listening not for seeing. The music of the early eighteenth-century England can be considered as emblematical, while the music of the mid eighteenth-century England as naturalistic. Further, this paper attempts to view a new change of late eighteenth-century music in view point of picturesque. This paper introduces picturesque taste emerged in the mid eighteenth century, introducing William Gilpin's use of the term. Gilpin's picturesque garden theory emphasized on ‘variety’ in composition of landscape; and his garden chooses to cooperate artificial elements into pure nature. And this paper redefines the meaning and function of music as comtemporary social and cultural phenomenon.
참고문헌 (17)
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