New Media and Narrative - Videopoetry and its Combination of Challenge and Coexistence to Lyrical Tradition
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Videopoetry is one of the most vital and innovative of 21st Century artistic movements: new festivals geared specifically to showing movies from this genre keep being established, while already-existent festivals grow in stature. Yet at the same time, there is a certain degree of unease in poetry communities about the phenomenon. Is it poetry in the “true” sense – that is, does it focus on language? Or is it primarily the manifestation of the “seduction of the visual”? The author of this paper has practice-based experience in both camps, and will give an overview of videopoetry as an experimental cultural movement, allowing readers to glean a concise overview of the history of the movement and its present state, then offer some theoretical questions for discussion, so that readers can consider the questions of what poetry “is”, and whether its literary/belletristic qualities can be defined as purely linguistic, or as something more based in other traditions that well pre-exist the invention of digital technologies (for example, song, oral epic, and illustrated/illuminated texts).
Abstract
Videopoetry is one of the most vital and innovative of 21st Century artistic movements: new festivals geared specifically to showing movies from this genre keep being established, while already-existent festivals grow in stature. Yet at the same time, there is a certain degree of unease in poetry communities about the phenomenon. Is it poetry in the “true” sense – that is, does it focus on language? Or is it primarily the manifestation of the “seduction of the visual”? The author of this paper has practice-based experience in both camps, and will give an overview of videopoetry as an experimental cultural movement, allowing readers to glean a concise overview of the history of the movement and its present state, then offer some theoretical questions for discussion, so that readers can consider the questions of what poetry “is”, and whether its literary/belletristic qualities can be defined as purely linguistic, or as something more based in other traditions that well pre-exist the invention of digital technologies (for example, song, oral epic, and illustrated/illuminated texts).
참고문헌 (10)
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