본문 바로가기
KERD
논문KCI 등재

유고슬라비아 구비서사시의 ‘영웅(英雄)’ 모티프

‘Hero’ Motifs in the Yugoslav Oral Epic Poetry

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류문학

초록

In this paper, we pay attention to the specific motifs which are handed down assuming a different aspect. It is based on the historical experience of different peoples and nations. Formed undergo many years, the experiences of different nations may be an individual. But Oral epic poetry emphasizes a particular character and idolizes to inspire a national pride. Just then the corresponding nation’s ‘hero’ is associated with the emergence of various motifs. However, with other genres of oral literature which are based on historical facts, it must be remembered that is reflected the imagination of the people with a wide range with historical facts in the oral epic poetry. At a deeper level, serbian and croatian oral epic poetry represented the common peoples beliefs about the events and people, the veracity of which was not doubted, not only because it was based on the testimony of earlier generations, on cultural-historical facts, but also because those facts took on a certain epic figurativeness. In this paper, taking into account as a common national culture, ‘hero’ motifs were investigated through a serbian and croatian oral epic poetry. Prince Marko, the most popular serbian hero, whose fame spread among all South Slavs, was inevitably ascribed all the characteristics common to those outlaws. In a number of magic tales the hero is depicted as the true of his environment. And while keeping all the characteristics of the magic tale hero, he represents synthesis of features typical of a given historical period and of a specific social class. Depending on the nature of the act of a hero, can be classified from various perspectives. Thus, it can be said that the heroic mythology lies on a common layer between the oral prose(myth, legend etc.) and the oral poetry(epic poetry).

Abstract

In this paper, we pay attention to the specific motifs which are handed down assuming a different aspect. It is based on the historical experience of different peoples and nations. Formed undergo many years, the experiences of different nations may be an individual. But Oral epic poetry emphasizes a particular character and idolizes to inspire a national pride. Just then the corresponding nation’s ‘hero’ is associated with the emergence of various motifs. However, with other genres of oral literature which are based on historical facts, it must be remembered that is reflected the imagination of the people with a wide range with historical facts in the oral epic poetry. At a deeper level, serbian and croatian oral epic poetry represented the common peoples beliefs about the events and people, the veracity of which was not doubted, not only because it was based on the testimony of earlier generations, on cultural-historical facts, but also because those facts took on a certain epic figurativeness. In this paper, taking into account as a common national culture, ‘hero’ motifs were investigated through a serbian and croatian oral epic poetry. Prince Marko, the most popular serbian hero, whose fame spread among all South Slavs, was inevitably ascribed all the characteristics common to those outlaws. In a number of magic tales the hero is depicted as the true of his environment. And while keeping all the characteristics of the magic tale hero, he represents synthesis of features typical of a given historical period and of a specific social class. Depending on the nature of the act of a hero, can be classified from various perspectives. Thus, it can be said that the heroic mythology lies on a common layer between the oral prose(myth, legend etc.) and the oral poetry(epic poetry).

참고문헌 (17)

  1. 김상헌, "동유럽신화" (2008), 한국외국어대학교 출판부
  2. 김상헌, "軍事的 英雄',마르코 끄랄례비치(Марко Краљевић)에 관한 一考", 동유럽발칸학, 6(1), pp.119~140 (2004), 아시아중동부유럽학회
  3. 김헌선, "세계 영웅신화 연구서설" (2002), 동방미디어
  4. 문석우, "끼예프 브일리나의 신화적 탐색과 서사 구조", 슬라브硏究, 20(1), pp.319~345 (2004), 러시아연구소
  5. 롤프 얀센, "드림 소사이어티(Dream Society)-꿈과 감성을 파는 사회" (2000), 한국능률협회
  6. 장덕순, "碑文學槪說" (1997), 일조각
  7. 조동일, "동아시아 구비서사시의 양상과 변천" (1997), 문학과지성사
  8. 최원오, "동아시아 무속영웅서사시 비교연구: 만주족, 허저족, 아이누, 한국의 자료를 중심으로 in 동아시아 諸민족의 신화", 한국구비문학회 동계학술대회 발표자료집 (1999)
  9. 프로이트, "정신분석학의 근본개념" (2004), 열린책들
  10. 허창운, "니벨룽겐의 노래·상" (1996), 서울대학교출판부
  11. Aarne, Anti, "The Types of the Folktales" (1973), Suomalainen Tiedeakatemia Academia Scientiarum Fennica
  12. Ђурић, Војислав, "Антологија народних јуначких песама" (1969), Српска Књижевна Задруга
  13. Караџић, Вук Стефановић, "Српске народне пјесме II" (1988), Просвета
  14. Miller, A. Dean, "The Epic Hero" (2000), The Johns Hopkins University
  15. Петрановић, Богољуб, "Српске пјесме из Босне и Херцеговине (1870년 판본)" (1989), Свјетлост
  16. Речник, "српскогхрватскога књижевног језика, књ. 5" (1973), Матица српска
  17. Stojković, J. Sreta, "Novi Sad: Štamparko produzeće “Zastava” deoničarsko društvo" (1922)

관련 논문AI추천

이 간행물의 다른 논문 (14건)