郭熙의『林泉高致』에 나타난 ‘遠’의 意境에 관한 硏究

Abstract

Guo Xi(郭熙) is a famous landscape painter and landscape theorists in Song Dynasty. he is also the most important figure in the history of Chinese landscapes painting. His painting style and the painting theoretical "Lin Quan Gao Zhi(林泉高致)" has a high academic value on Chinese painting history. In this paper, "Lin Quan Gao Zhi" of Guo Xi researched and analyzed after then it tried to explain Guo Xi's theory of creation in the base ideology 'Afar' to combine work. Firstly we was combined the Guo Xi's paintings from the view of history and social philosophy which based on the researching result. The Guo Xi's paintings idea on the connotation in Chinese philosophy examined the meaning of the 'Afar' thought and The Guo Xi's 'Afar' were considered. Chuang-tzu(莊子) ideas and Ch'u(楚) the culture of the country happened in the next a sense of the esthetic way, for example, historical research. It was studied the example in the culture of Ch'u and thought of Chuang-tzu which happened the way of the esthetic appreciation and contemplation for 'Afar'. Finally it exposed to contemplate the way viz., cling to 'Afar' wait-and-see. Through the peculiar sight such a commonness life spirit and idea, which the Guo Xi's paintings idea was looked the side way of the spirit-peace. The Guo Xi's paintings idea gave a deep impact on Chinese art history, He suggested ‘Afar’ which have the biggest impact on the future generations of his articulation of the middle for his picture theory. Discuss about the concept of 'Afar' and more systematically, it was newly practiced in their work boldly. The most important thing is something that the older people did not. He created ideas paintings for 'Theory of Three-Afar(三遠說)' when practice was specifically. Thus, the theory is a way of linking the actual creation. He advocated 'Afar' idea in the Chinese Painting Thoughts for the first time and he had created a practical man, there can be no doubt.