디지털 방송 추진기 텔레비전 드라마의 스토리텔링 특성

Abstract

Television is the most popular medium of communication in our society, and the research on the strategies and practices of 'storytelling(story + telling)' is an important task to illuminate the dominant member of the recognized structure of the contemporary world and man. In this respect, I explored the changing patterns of television drama storytelling in the digital broadcasting implementation process. The subject of analysis is Television series drama that is the most aggressively accommodate the social and cultural change. Television series broadcast from 2000 to 2014 was a total of 466 works. I was classified them as a genres and sub-genres. As a result, I found that the television series drama broadcast insince 2010 (2010-2014) has the four characteristics than in the television series drama broadcast in 2000's (2000-2009). The four characteristics are reduction of melodrama, increase in fantasy form drma, increase of revenge, revenge stoy drama, and increase of profession-genre drama. Then I analyzed the contents of the television series drama broadcast insince 2010 (2010-2014). I found a new phenomenon in the drama storytelling before and after the digital broadcasting era. The new phenomenon are the trend of establish the identity of the person private secretary, the emergence of non-linear multi-plot drama, the collapse of boundaries between good and evil, the emergence of a complex fusion genre or genres Drama. They are similar to the storytelling strategy of the game content!Through these studies, I concluded that the digitalization of television broadcasting is not stopping to change the technical dimension, but it is been changed and deployed more closely associated with our lives and culture.