영화 <올드보이>에 담긴 박찬욱 감독의 세계관
Park Chan-Wook's Message from Old Boy
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참고문헌
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초록
Old Boy directed by Park Chan-Wook takes Oedipus complex as a main motif. The core of developing the incidents is the incests of Lee Woo-Jin ․ Lee Soo-A and Oh Dae-Soo ․ Mi-do. They have a causal relationship. As the incest of Lee Woo-Jin ․ Lee Soo-A is committed by Oh Dae-Soo's words, the incest of Oh Dae-Soo ․ Mi-do is committed by Lee Woo-Jin's words. In the aspect of Oh Dae-Soo and Lee Woo-Jin, at first, Oh Dae-Soo has a dominant position, afterward, Lee Woo-Jin has a dominant position. By the shift of domination, mutual role is changed. In that situation, Oedipus complex(incest) symbolizes the standard of revolt against the oppressing social structure. Relating Park Chan-Wook's concern about Hyo-Sun and Mi-Seon, joining the Democratic Labor Party, supporting Kwon Young-Ghil, a presidential candidate, this movie conveys a message that we should be free from the oppression of USA(the haves). Contrary to the original comic book, this movie is a story with a happy ending that Oh Dae-Soo realizes his love with Mi-do, erasing his memory that Mi-do is his daughter. It is a symbolic message that Korea(the Third World) should be free from the oppression of USA.
Abstract
Old Boy directed by Park Chan-Wook takes Oedipus complex as a main motif. The core of developing the incidents is the incests of Lee Woo-Jin ․ Lee Soo-A and Oh Dae-Soo ․ Mi-do. They have a causal relationship. As the incest of Lee Woo-Jin ․ Lee Soo-A is committed by Oh Dae-Soo's words, the incest of Oh Dae-Soo ․ Mi-do is committed by Lee Woo-Jin's words. In the aspect of Oh Dae-Soo and Lee Woo-Jin, at first, Oh Dae-Soo has a dominant position, afterward, Lee Woo-Jin has a dominant position. By the shift of domination, mutual role is changed. In that situation, Oedipus complex(incest) symbolizes the standard of revolt against the oppressing social structure. Relating Park Chan-Wook's concern about Hyo-Sun and Mi-Seon, joining the Democratic Labor Party, supporting Kwon Young-Ghil, a presidential candidate, this movie conveys a message that we should be free from the oppression of USA(the haves). Contrary to the original comic book, this movie is a story with a happy ending that Oh Dae-Soo realizes his love with Mi-do, erasing his memory that Mi-do is his daughter. It is a symbolic message that Korea(the Third World) should be free from the oppression of USA.
참고문헌 (10)
- "영화 <올드보이>" (2003), 쇼 이스트[DOI]
- "한국전통문화의 정신분석" (2003), 한국학술정보
- "『동아일보』" (2002), 『동아일보』
- "『조선일보』" (2004), 『조선일보』
- "만화 <올드보이>", 전8권 (2003), 아선미디어
- "영화 <프랑켄슈타인의 신부>", 유니버셜 픽쳐스
- "색채의 마력" (2007), 아트북스
- "그리스 로마 신화사전" (2003), 열린책들
- "『인간과 상징』" (2004), 열린책들
- "시나리오란 무엇인가" (2006), 민음사
