예이츠의 무운시 율격 연구
A Study on Meters in Yeats’s Blank Verses
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참고문헌
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초록
예이츠는 전통적 시 형식을 고수하였다. 그럼에도 불구하고 무운시의 형식은 다른 형식에 비해 드물게 사용하였다. 그의 초기와 중후기의 대표적인 무운시를 통해 무운시의 율격과 그 다양한 변용의 양태를 살펴보고 시의 내용과 주제에 미치는 효과를 알아보고자 한다.
Abstract
Yeats rarely wrote free verse, which was new and very popular in the early 1900s. He used various traditional rhymed verse, but interestingly he wrote not so many blank verse in view of the considerable number of his poems. In this article, first, Yeats’s idea about blank verse is examined based on his essays and letters, and then the characteristic aspects of poetic diction, syntax, tone and regular and irregular meters in alternate lines of his blank verse are studied in such poems as “Ephemera,” “Ego Dominus Tuus,” “In the Seven Woods,” and “The Second Coming.”
참고문헌 (12)
- Gross, Harvey, "Sound and Form in Modern Poetry: Second Edition" (1996), Michigan UP
- Loizeaux, Elizabeth, "Yeats and the Visual Arts" (2003), Syracuse UP
- Rajeev S. Patke, "Yeats: Prosody and Poetic Forms", 한국 예이츠 저널, 37, pp.25~60 (2012), 한국예이츠학회[DOI]
- Perloff, Majorie, "Rhyme and Meaning in the Poetry of Yeats" (1970), The Hague
- Richman, David, "Passionate Action: Yeats’s Mastery of Drama" (2000), Associated UP
- Shaw, R. Burns, "Blank Verse: A Guide to Its History and Use" (2007), Ohio UP
- Vendler, Helen, "Our Secret Discipline: Yeats and Lyric Form" (2007), Oxford UP
- Yeats, W. B., "Essays and Introductions" (1961), Macmillan
- Yeats, W. B., "The Collected Poems of W. B. Yeats" (2000), Wordsworth Editions Limited
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- Yeats, W. B, "The Collected Letters of W. B. Yeats, Volume Ⅴ Later Essays" (1994), Charles Scribner’s Sons
- 유배균, "In the Seven Woods: A Process of Mystical Alchemy", 한국 예이츠 저널, 37, pp.185~204 (2012), 한국예이츠학회[DOI]