영조의 국정운영과 문화

Abstract

In the Joseon Dynasty, the 18th century is regarded as a period when King Sukjong (r. 1674-1720) to King Jeongjo (r. 1776-1800) reigned, leading to the climax of Joseon's culture. Among them, King Yeongjo (r. 1724-1776) made an absolute number of achievements during his 52 years as king, which is half the 18th century. Based on the political stability through Tangpyeong policy, King Yeongjo was regarded as a king who laid the foundation for the so-called revival of the Joseon Dynasty or the revival of culture and arts in various fields, including academic, cultural, and artistic aspects. In terms of politics, King Yeongjo sought to enhance the public character of the nation by securing the king's initiative in public affairs, which had been centered on his own people or his own people. On the surface, it was a form of strengthening royal authority, but various aspects of readjustment were carried out in the national system and system. Examples include the attention to "Ju-rye," the utilization of eo-jin, and the compilation of "Sok O-rye(續五禮儀)", "Sokdaejeon(續大典)" and "Dae-hun(大訓)" This culture was created not in the unilateral implementation of the Tangpyeong policy but in the tension with the anti-Tangpyeong faction, which insisted on the loyalty of the nobleman. In addition, the Act was implemented with the intention of closely connecting the state or the king with the people, which influenced the stability and growth of the people and the development of the culture of the common people. The white porcelain of the branch made during the reign of King Yeongjo and the landscape painting represented by the true landscape of Jeongseon, Gyeomjae and Jeongseon, were the result of King Yeongjo's new re-organization of Joseon's system and culture.