A Trans-aesthetics: W.B. Yeats, Shigeru Aoki, and Pablo Picasso
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This paper discusses Yeats, Aoki, and Picasso as an exemplification of a trans-aesthetics. I will put Yeats and Aoki in two contexts, Cubism and pre-Raphaelitism, in order to study Yeats and Aoki. To do so, I will discuss the two art movements, Cubism and pre-Raphaelitism, the second being a movement in England. While the pre-Raphaelite Yeats is now relatively well researched and well known, Shigeru Aoki, a great Japanese painter/poet, who was also a pre-Raphaelite, is hardly known outside his country, Japan. Considering that pre-Raphaelitism was an English movement, it is rather surprising that a painter in Japan in the early 20th century had become deeply interested in it. Furthermore, both Yeats and Aoki, with this aesthetics, became the leading figures in the literary and art worlds of their countries.
Abstract
This paper discusses Yeats, Aoki, and Picasso as an exemplification of a trans-aesthetics. I will put Yeats and Aoki in two contexts, Cubism and pre-Raphaelitism, in order to study Yeats and Aoki. To do so, I will discuss the two art movements, Cubism and pre-Raphaelitism, the second being a movement in England. While the pre-Raphaelite Yeats is now relatively well researched and well known, Shigeru Aoki, a great Japanese painter/poet, who was also a pre-Raphaelite, is hardly known outside his country, Japan. Considering that pre-Raphaelitism was an English movement, it is rather surprising that a painter in Japan in the early 20th century had become deeply interested in it. Furthermore, both Yeats and Aoki, with this aesthetics, became the leading figures in the literary and art worlds of their countries.
참고문헌 (11)
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- Yeats, W.B., "A Vision" (1938), Macmillan